52

Lot 52JETHRO TULL-MINSTREL IN THE GALLERY-1975-FIRST PRESS UK-CHRYSALIS-NMINT/NMINT

JETHRO TULL-MINSTREL IN THE GALLERY-1975-FIRST PRESS UK-CHRYSALIS-CHR1082 Matrix A-1U/B-1U Stamper 1GR/2RM. A rare British original of the cult prog band. Minstrel in the Gallery is the eighth studio album by the British rock band Jethro Tull, released in September 1975. The album shows the band as returning to a mix of electric and acoustic compositions, thus closer to their early 70s albums such as Benefit (1970), Aqualung(1971) and Thick as a Brick (1972). The album was the first Jethro Tull album recorded outside the UK, in Monte Carlo, Monaco. This was Jethro Tull's last album with bassist Jeffrey Hammond, who left the band after the album's tour ended in late 1975 and was replaced by former Carmen bassist John Glascock. AllMusic has a favorable review stating that the album is "the most artistically successful and carefully crafted album since Thick as a Brick".

Vinyl record in top condition - NMINT/ARCHIVE. The cover is matte in excellent top condition, with minimal traces of storage - NMINT/ARCHIVE. Leblas in top condition - NMINT/ARCHIVE.

Lot 52JETHRO TULL-MINSTREL IN THE GALLERY-1975-FIRST PRESS UK-CHRYSALIS-NMINT/NMINT

Lot sold: 3200 ₽

Estimate:
4000—5000 ₽
Online Closing:
28-09-2021 20:15

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26
26. MAYALL, JOHN-CRUSADE-1967-FIRST PRESS (STEREO) UK-DECCA-NMINT/NMINT

Lot 26.MAYALL, JOHN-CRUSADE-1967-FIRST PRESS (STEREO) UK-DECCA-NMINT/NMINT

MAYALL, JOHN-CRUSADE-1967-FIRST PRESS (STEREO) UK-DECCA-SKL4890. Matrices A-1W/B-1W. A very rare original of the cult blues rocker. Since the release of the previous album A Hard Road, there have been noticeable changes in the composition of the Bluesbreakers: Peter Green left to form his own band (Fleetwood Mac), and Ainsley Dunbar moved to Jeff Beck. John took Keef Hartley to the vacant drummer's place, and it was more difficult to replace the lead guitarist - after all, the new musician would have to bear comparison with both Clapton and Green. John remembered that at one of the concerts, when Eric for some reason did not show up on time, a young boy came who claimed to know the entire repertoire of Bluesbreakers. Mayall didn't have much choice, and he invited the young guitarist to the stage. He demonstrated a good knowledge of the material and excellent technique, and John was impressed with his performance. But after the concert, the boy left without leaving his coordinates. Now Mayall wanted to find this musician, and in the end he was able to do it by placing an ad in Melody Maker. So Mick Taylor came to the band, who was more inclined to blues-rock, and not to pure blues. The band's line-up was expanded with the involvement of two saxophonists-Chris Mercer on tenor and Rip Kant on baritone. This sextet went to the studio on July 11 and 12 to record a new album, which was produced by Mike Vernon, and Gus Dudgeon was again noted as a sound engineer. ...more

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29
29. ERIC BURDON & WAR-ERIC BURDON DECLARES

Lot 29.ERIC BURDON & WAR-ERIC BURDON DECLARES "WAR"-1970-FIRST PRESS USA-MGM-NMINT/NMINT

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124
124. CHARLES, RAY/ CLEO LAINE -PORGY AND BESS-1976-FIRST PRESS UK-LONDON-NMINT/NMINT

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CHARLES, RAY/ CLEO LAINE-PORGY AND BESS-1976-FIRST PRESS UK-LONDON-D31D2 Rare British original of the legend of the jazz scene. Porgy and Bess is an English-language opera by American composer George Gershwin, whose libretto was written by author Dubose Hayward and lyricist Ira Gershwin. It was adapted from the play "Porgy" by Dorothy Hayward and Dubose Hayward, which is itself an adaptation of the 1925 novel of the same name by Dubose Hayward. Porgy and Bess was first performed in Boston on September 30, 1935, before moving to Broadway in New York.[1] It featured a cast of classically trained African-American singers—a bold artistic choice at the time. After an initially unpopular public reception, the 1976 production of the Houston Grand Opera brought her new popularity, and she is now one of the most famous and frequently performed operas. In 1976, Ray Charles and Cleo Lane recorded an album of excerpts for RCA Victor, in which the two of them performed several roles. The album was arranged and conducted by Frank De Vol. It featured Joe Sample's organ, Harry Edison's trumpet, and guitar work by Joe Pass and Lee Ritenour. It was based on jazz with full orchestration, but the orchestrations used were not Gershwin's. ...more

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60
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8
8. SHADOWS-SHADOWS-1961-FIRST PRESS(MONO) UK-COLUMBIA-NMINT/NMINT

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