Lot 50SUZI QUATRO-QUATRO-1974-FIRST PRESS UK-RAK-NMINT/NMINT

BLACK SABBATH-TECHNICAL ECSTASY -1978- FIRST PRESS UK-VERTIGO-9102750. A rare original of the cult album . "Technical Ecstasy" is the seventh studio album by the British rock band Black Sabbath, released in 1976. Musically, the CD is a further development of the musical ideas of the guitarist and main composer of the band Tony Iommi. Just like on the last two albums, on Technical Ecstasy, simple and short songs such as "Rock 'N' Roll Doctor" contrast with longer and more complex songs such as "You Won't Change Me" and "Dirty Women". The source material was somewhat spoiled by unimportant production [the source is not specified for 102 days, and therefore could not repeat the commercial success of its predecessor, the album Sabotage (1975). Nevertheless, partly thanks to the beautiful songs, and partly thanks to the big name "Black Sabbath", this album sold steadily and eventually received its "platinum" in the UK and "gold" in the USA. Technical Ecstasy reached number 13 in the UK charts and number 51 in the US Billboard magazine charts ...more

JOHN, ELTON-"DON'T SHOOT ME" I'M ONLY THE PIANO PLAYER-1972-FIRST PRESS UK-DJM- DJLPH427. Matrices A-3/B-3. A rare British original. Don't Shoot Me I'm Only the Piano Player is the sixth studio album by British musician Elton John, released in 1972. The best-selling English album of the year, Don't Shoot Me I'm only the Piano Player stands out among other Elton John albums, combining various musical and semantic interpretations. The album has sold over 19 million copies worldwide, becoming multi-platinum on both sides of the ocean. ...more

DEEP PURPLE-THE HOUSE OF BLUE LIGHT-1987-FIRST GERMANY PRESS-POLYDOR-831318-1. Rare europe original iconic group. The House of Blue Light is the twelfth Studio album by British rock band Deep Purple and the second, recorded by the reunited "classic lineup" of the group, published in January 1987. In the Soviet Union was released by the record label "Melody" in 1988. The group gathered to record 12 APR 1986 in Massachusetts, USA, but has already finished recording in Vermont. According to Ritchie Blackmore, recording this album was a long and painful process, many tracks had to be rewritten. September 26, 1986 Roger Glover started mixing the album at Union Studios in Munich. It was assumed that all group members will be present at the same time, in order to make the last adjustments, however, the musicians appeared in the Studio, and left with it when they please: the contradiction between group members increased again, especially intense was the old conflict between Ritchie Blackmore and Ian Gillan. So out of all the members of the group only Gillan recorded several smaller parties. Had various disputes over the album, such as title (pace offered to call the album the title of one song — Black and White; also considered options such as The Acid Test, and It's Not That Bad!), songs (challenge the inclusion in the album of the song "Mitzi Dupree"). In connection with the complexities of entry and disputes a test version of the master disk appeared only on 18 December 1986, and, for example in the US, the album was planned (and announced) at the end of October of the same year. Accordingly, the release date of the album was postponed to January 12, 1987. ...more

ROXETTE-JOYRIDE-1991-GERMANY'S FIRST PRESS-EMI number 7960481. A rare German original. Joyride is the third studio album by Swedish pop rock duo Roxette. Per Gessle took the title of the CD from an interview with Paul McCartney, when he stated that "the songwriting process with John Lennon was like Joyride." ...more

TEN YEARS AFTER-WATT-1970-THE FIRST PRESS UK-DERAM-SML1078 Matrix XZAL10255,P-2W/XZAL10256,P-1W, Stamper 1UU/1GG (Very early!) A very rare original in a complete set (poster 65 cm x 65 cm) of the iconic British rock and blues band. Watt's album sounded in many ways like a continuation of "Cricklewood Green": it is based on the same pointed riffs and "angry" vocals, except that the general mood here is a little lighter. Alvin Lee began experimenting with complicated song structures, but achieved the greatest effect in riff stuff ("I'm Coming On"), soul-country "My Baby Left Me" (unrelated to the Elvis Presley song), "I Say Yeah", where the synthesizer sounds quite in the spirit of Keith Emerson ("Aquatarkus") and the ballad "Think About The Times".. After the release of the Watt album, the band's contract expired, and Wright transferred it to Columbia Records. ...more