Lot 10CREEDENCE CLEARWATER REVIVAL-SAME-1968-FIRST PRESS UK-LIBERTY-NMINT/NMINT

CERRONE-LOVE IN C MINOR-1976-FIRST PRESS USA-COTILLION-SD9913. A rare American original of a cult album. Love in C Minor is the debut album by French musician and producer Jean-Marc Cerron, released in 1976 in France on Malligator, in Europe on Atlantic, in Spain on Hispavox, and in the USA in 1977 on Cotillion. Now Cerrone is already called a "legend of dance music", who had a huge impact on entire generations of DJs and is considered, along with Giorgio Moroder, the trendsetter of Eurodiscoe. One of the centers of Eurodisco (along with Munich) was London's Trident Studios, which was fueled by France. It was here that Parisians Jean-Marc Cerron and Alec R. Costandinos decided to record their first disco opus with the assistance of sound engineer Peter Kelsey. As a result, an album was born called Love in C Minor.  At the Billboard Disco Forum in 1978, Cerrone received six awards, including Artist of the Year in Disco Music. ...more

ROXETTE-JOYRIDE-1991-GERMANY'S FIRST PRESS-EMI number 7960481. A rare German original. Joyride is the third studio album by Swedish pop rock duo Roxette. Per Gessle took the title of the CD from an interview with Paul McCartney, when he stated that "the songwriting process with John Lennon was like Joyride." ...more

BEATLES-REVOLVER-1966-FIRST PRESS (STEREO) UK-PARLOPHONE- PCS7009 Matrix Numbers: Side 1: YEX 605-1; Side 2: YEX 606-1.  2OH/3AO stamps (Early!) .  The first printing took place on August 5, 1966. Black label with yellow logo and silver lettering. “The Gramophone Co. Ltd.” printed at the beginning of the perimeter and contains the text “Sold in the UK on condition ...”. The usual white or white and black inner sleeves with the inscription “LP Advertisement". The label shows the KT tax code or without it. Matrix numbers: Side 1: XEX 605-1 Side 2: XEX 606-1. This is how labels first appeared on the shelves.  The labels use the Arial sans-serif font. In addition, the labels used two versions: on the second side of the track, Doctor Robert is written with a typo as “Dr. ROBERT” and without mistake. On the first press on the labels, the name of each song began with a new line, with the first line being written exclusively for “Taxman” and “Eleanor Rigby” starting from the second line down. It should also be noted that on these original labels, the title of each song was followed by the credits, followed by the author. ...more

ALAN PARSONS PROJECT-PYRAMID-1978-First Press UK-ARISTA-SPART1054 matrix A1/B1 Pyramid is the third studio album by the English art rock band "The Alan Parsons Project", released in 1978. The album was nominated for a Grammy Award in 1978 in the category "Best Production Work in the genre of Modern Music". The main theme of the album was the Great Pyramid of Giza and ancient Egyptian culture, which were at the peak of popularity in the USA and Great Britain in those years ...more

ARABESQUE-ARABESQUE-1978-THE FIRST SCANDINAVIA-TALENT-TLS3051 PRESS.  A very rare Scandinavian original of the first album of disco giants. Arabesque I (Friday Night) is the debut studio album by the West German disco band Arabesque. It was released in 1978 on EMI Electrola in Germany and on Victor Record in Japan. The Arabesque disco group was founded in 1977 (registered in the German city of Offenbach in a recording studio owned by legendary producer Frank Farian). At that time, there was a fashion in Europe for "girl groups” in which female vocals were dominant: Baccara, ABBA, Boney M. The debut album of the Arabesque trio was recorded with the following line-up: Karen Ann Tepperis, Michaela Rose and Mary Ann Nagel. After recording the first record, Tepperis and Nagel left the band, and Jasmin Vetter and Heike Rimbeau became new members of the trio. In 1979, Arabesque joined the seventeen-year-old and still unknown Sandra Lauer, who replaced vocalist Heike Rimbeau. Sandra immediately became an informal leader in the band - in the vast majority of songs, the main vocals belonged to her. Arabesque were very popular in Japan; in Europe, however, until the release of "Marigot Bay" in 1980, the band could not boast of "frenzied" success. After that, they gained real popularity, but they never rose to the "Japanese" level. I must say that the girls from the group complemented each other surprisingly precisely: they seemed to represent "three elements", three different types - dark-skinned Southerner Michaela, blonde Northerner Jasmine and, finally, Sandra with her "Japanese" cut of the eyes.In 1984, Sandra's five-year contract to work at Arabesque expired. She, with the support of her future husband Michael Cretu, decides to start a solo career, and the band, which rose due to Sandra's talent, ceases to exist. In the same year, the band's last album "Time To Say Good Bye" was released. Michaela Rose and Jasmine Vetter, trying not to miss their chance, create a new band called Rouge, but it was not successful. Rouge disbanded in 1988. Popularity in the USSR. Despite the lack of popularization of disco in the Soviet media, it had a lot of fans in the USSR. Arabesque were one of the favorite bands in Soviet discos. The popularity of the band was so great that in 1984 the Melodiya company released a record with ten songs from different albums. The record quickly became, as they said at the time, "scarce", and it could only be bought with a huge overpayment. Most of the band's songs were distributed across the country in tape recordings. In 1989, in the wake of Perestroika, Sandra was invited to Moscow, where she was greeted by a full house of enthusiastic fans. Arabesque songs are still often heard on Russian radio in retro programs dedicated to the 1980s. ...more