Lot 21SHOCKING BLUE-3RD ALBUM-1971-FIRST PRESS GERMANY-METRONOME-NMINT/NMINT

CHARLES, RAY-MODERN SOUNDS IN COUNTRY AND WESTERN MUSIC VOL. 2-1962-FIRST PRESS USA-ABC PARAMOUNT-ABCS-435 A rare American stereo original of the legend of the jazz scene. Ray Charles album of 1962. This is the second volume of Charles ' country and western recordings after his landmark debut on the ABC Records label. After the amazing success of modern sounds in country and western music, an album of covers of country music that sold more than a million copies, Charles and producer Sid Feller decided to continue. Unlike the previous album, where the slow and fast tracks more or less alternated, on this album one side is performed by Ray Charles ' big band with the Raelettes, while on the other side there is a string section and Jack Halloran singers. ...more

DEEP PURPLE-COME TASTE THE BAND-1975-First UK Press-PURPLE REC. - TPSA7515 matrix A-1U/B-1U. A rare British original of the cult album. Come Taste the Band is the tenth studio album by Deep Purple, released in October 1975. The first and only album (not counting live ones) recorded as part of Mark IV. A reviewer of Classic Rock magazine, reviewing the anniversary reissue of Come Taste the Band in 2010, noted the amazing work of Kevin Shirley on the second disc and stated that the album (which received a cold reception at the time of release) has passed the test of time and is one of the best in the Deep Purple catalog. ...more

MAYALL, JOHN-CRUSADE-1967-FIRST PRESS (STEREO) UK-DECCA-SKL4890. Matrices A-1W/B-1W. A very rare original of the cult blues rocker. Since the release of the previous album A Hard Road, there have been noticeable changes in the composition of the Bluesbreakers: Peter Green left to form his own band (Fleetwood Mac), and Ainsley Dunbar moved to Jeff Beck. John took Keef Hartley to the vacant drummer's place, and it was more difficult to replace the lead guitarist - after all, the new musician would have to bear comparison with both Clapton and Green. John remembered that at one of the concerts, when Eric for some reason did not show up on time, a young boy came who claimed to know the entire repertoire of Bluesbreakers. Mayall didn't have much choice, and he invited the young guitarist to the stage. He demonstrated a good knowledge of the material and excellent technique, and John was impressed with his performance. But after the concert, the boy left without leaving his coordinates. Now Mayall wanted to find this musician, and in the end he was able to do it by placing an ad in Melody Maker. So Mick Taylor came to the band, who was more inclined to blues-rock, and not to pure blues. The band's line-up was expanded with the involvement of two saxophonists-Chris Mercer on tenor and Rip Kant on baritone. This sextet went to the studio on July 11 and 12 to record a new album, which was produced by Mike Vernon, and Gus Dudgeon was again noted as a sound engineer. ...more

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CARAVAN-CUNNING STUNTS-1975-THE FIRST PRESS UK-DECCA-SKL-R-5210 . Matrices A-P2W/B-P2W, a rare British original of the cult prog band. The sixth studio album by the progressive rock band Caravan, released in 1975. It was their first album with bass guitarist, vocalist and songwriter Mike Wedgwood. The album's title is a spoonerism for "Stunning Cunts", which is characteristic of their bold use of language. The three previous Caravan albums with titles that are also sexual word games, If I Could Do It Again, I Would Do It Again With You (1970), In the Land of Gray and Pink (1971) and For Girls Who Plump at Night (1973). ...more