Lot 89SINATRA, FRANK -SINGS SELECT COLE PORTER -1965-FIRST PRESS (STEREO) USA-CAPITOL-NMINT/NMINT

HODGES, JOHNNY AND WILD BILL DAVIS - JOE'S BLUES-1965-FIRST PRESS (STEREO) USA-VERVE-V6-8617. A rare American original of one of the iconic jazz albums.  This is an album by two American jazz magnates Johnny Hodges (saxophone) and organist Wild Bill Davis with performances at Van Gelder Studio in 1965, released on the Verve label. The Allmusic website awarded the album 4 stars, stating: "The studio date of the two jazzmen is one of the most enjoyable sessions of his meetings with different musicians for Verve...  ...more

HAWKWIND-QUARK STRANGENESS AND CHARM-1977-THE FIRST UK-CHARISMA PRESS-CDS4008. Matrix A-3/B-3. A rare British original of the cult prog band. PXR5 is the seventh studio album by the English space rock band Hawkwind, released in 1977. The album spent six weeks on the UK Albums Chart, peaking at number 30. This is the band's first album without co-founder Nick Turner, and drummer Alan Powell has also left. Additionally, Adrian "Ade" Shaw of Magic Muscle replaced Paul Rudolph during the recording session. The music on this album is more pop-oriented than their previous offerings. The cover is the only Hawkwind design by Hipgnosis, featuring interior photographs of Battersea Power Station, edited by Richard Manning, and graphics by Jeff Halpin. ...more

BACHMAN-TURNER OVERDRIVE-NOT FRAGILE-1974-FIRST UK PRESS-MERCURY - 9100007.Rare British original. Became the most popular album and reached No. 1 on the charts pop albums USA. ...more

GEORDIE-DON'T BE FOOLED BY THE NAME-1974-THE FIRST DENMARK PRESS-EMI- EMA764. Matrix A-3/B-3. A very rare Danish original hard rock style icon in top condition. Geordie's second album "Don't be fooled by the name" (1974) became both the most interesting and the most successful work of the band: Melody Maker noted their "incredible drive", and NME recognized that "Malcolm writes great songs, and Johnson brilliantly performs them." One of the most interesting numbers on the record was the hard rock version of the standard "The House of the Rising Sun" (later that year, it was released as a single and reached the Top 20). Oddly enough, this was Geordie's last hit on the popularity lists of Britain or Western Europe. Throughout 1975, the band traveled continuously around Britain and Europe, exploiting their unexpected success. The only single released in the same year, "Wizard", went unnoticed. The failure also befell the concept album Save the world, released in early 1976, their rather clumsy attempt to stake out a plot in the territory of art rock. Geordie's star set as quickly as it rose. Deciding that the bandmates were to blame for everything, Johnson left Geordie in the summer of 1976 and signed a personal contract with MCA Records. Recorded with new partners and released in the same year, the album "Brian Johnson and Geordie" included reworking of the band's old hits, but did not return success. Johnson's second and last solo album "Strange man" was released on New Year's Eve, but it was also met with little enthusiasm by listeners. Johnson returned to Newcastle, where, forgetting to think about rock, he worked as a technician at a gas station until someone from AC/DC's entourage (some unknown fan) mentioned him, trying to find a replacement for the deceased Bon Scott. In April 1980, Johnson was officially announced as the new vocalist of the band. ...more

URIAH HEEP-...VERY 'EAVY VERY 'UMBLE-1970-THE FIRST UK PRESS- VERTIGO SWIRL-6360006.  A mega rare British original of the iconic album. The album was released in June 1970 by Vertigo Records in the UK. The original vinyl release was a spread-out envelope with frontman David Byron depicted on the front sleeve, almost unrecognizable under the cobwebs. It was released in August 1970 by Mercury Records in the United States under the name just Uriah Heep with a different artwork on the cover (a centipede-type monster) and with the track "Bird of Prey" instead of "Lucy Blues". The album was re-released by Bronze Records in 1971 after the band signed with that label. The album shows the band trying out different genres – a mix of heavy metal and progressive rock, rather than the hard rock they became known for on later albums. Tracks 3 and 8 were recorded as Spice songs before the band was renamed Uriah Heep, and featured session musician Colin Wood on keyboards. When Ken Hensley joined Spice in early 1970, the tracks were not re-recorded. ...more