Lot 50MERCURY, FREDDIE-MR.BAD GUY-1985-FIRST PRESS UK/EU HOLLAND-CBS-NMINT/NMINT

DEF LEPPARD-HYSTERIA-1987-FIRST PRESS EU-HOLLAND-MERCURY-830675-1. Rare original European released for all of Europe. Hysteria (Rus. "Hysteria") is the fourth Studio album by the band Def Leppard, released in 1987. Made available in both formats, LP and CD. Today it is the most popular album reached the charts Billboard 200 and the UK Albums Chart, released 6 singles became hits and sold 20 million copies. Hysteria is on the 21st position in the rating "100 best rock albums of all time" by the magazine Classic Rock and 464 th place in the list of 500 best albums of all time by the magazine Rolling Stone. ...more

MOORE GARY-AFTER HOUR-1992-FIRST PRESS UK/EU-VIRGIN-212558. A rare original legend in rock music. After Hours is a studio album by Irish guitarist and singer Gary Moore, released on March 10, 1992. After a busy tour in 1990, Moore recorded the album "After Hours", which, like its predecessor, was sustained in the style of blues-rock, but with a great soul influence and with the addition of a brass section that played in the style of soul. Despite the fact that the album turned out to be very similar to "Still Got The Blues", its success was more modest. After Hours includes both Moore's original songs and well-known blues standards. The Memphis band The Memphis Horns took part in the recording, as well as guest musicians: BB King ("Since I Met You Baby") and Albert Collins ("The Blues Is Alright"). The album reached the 1st place in the charts of Switzerland and Sweden, as well as the 2nd place in Germany and Norway. In general, he received favorable reviews. Allmusic reviewer David Genzen called After Hours "as impressive" as Still Got the Blues. ...more

SLADE-WHATEVER HAPPENED TO SLADE-1977-FIRST PRESS UK-BARN -2314103.A rare British original of the legendary band.Whatever Happened to Slade is the seventh studio album by the British rock band Slade. It was released on March 21, 1977 on Barn Records, but failed to chart nationally. By the time the album was released, Slade's popularity was declining, as were their record sales, which they acknowledged in the album title. The glam rock movement that Slade was associated with died, and the careers of other glam rock artists such as Mud, Gary Glitter and Sweet went downhill. In Britain, where Slade was traditionally the most popular, punk rock was in fashion. With this album, Slade established themselves as a straight-talking rock band; their "glam" statements from the beginning of the decade are a thing of the past. The album received critical acclaim and support from the English punk movement. In a 1979 Slade fan poll, the album was ranked among the top three Slade albums. ...more

ROXY MUSIC-FOR YOUR PLEASURE-1973-FIRST UK PRESS-ISLAND - ILPS-9232. Matrix A-2/B-2. Rare British original. "For Your Pleasure" is the second album by British rock band Roxy Music , released Island Records 1973. This was the last album, which was attended by synth and sound designer Brian Eno , who later gained recognition as a solo artist and producer. "For Your Pleasure" was ranked 4th in the UK charts in 1973. In 2000 " Q " placed it at number 33 in its list of the 100 greatest British albums in history. 2012 the album was ranked 396 - e a place in the list of Rolling Stone magazine of the 500 best albums of all time. ...more

KINKS- KONTROVERSY-1965-THE FIRST PRESS (STEREO)UK-PYE-NSPL18131359 Matrix A-2/B-2 . A very rare original of the iconic album  The Kink Kontroversy is the third studio album by English rock band The Kinks. It was released in the United Kingdom on November 26, 1965 by Pye Records. Released in the United States on March 30, 1966 by Reprise Records, it became The Kinks' first American album with the same track list as its British counterpart. This is a transitional album containing elements of both earlier Kinks styles (songs with strong blues influences such as "Milk Cow Blues" and variations on the themes of the band's hits from 1964 to 1965 based on power chords such as "Until the End of the Day") and early indications of the future direction of Ray Davis' songwriting styles ("The World Keeps Going Round" and "I'm on an Island"). The title notes were written by Michael Aldred. The single "Till the End of the Day" became a real hit, peaking at number 8 in the UK and number 50 in the US, staying on each chart for eight weeks or more. ...more