Lot 112EARL HINES -ONCE UPON A TIME-1966-FIRST PRESS (STEREO) USA-IMPULSE-NMINT/NMINT

CERRONE-GOLDEN TOUCH-1978-THE FIRST USA-COTILLION-SD5208 press. A rare American original of a cult album. Cerrone IV - The Golden Touch is the fourth studio album by French disco musician and producer Jean-Marc Cerrone, released in 1978 on Malligator (773,807) in France, on Atlantic branch Cotillion (SD 5208) in the USA, on CBS - in European countries. Having gained the huge popularity of his previous album, Supernatural - Cerrone III (1977), Cerrone decided to consolidate his success by signing important contracts. First of all, he signed an agreement with the Machat brothers: producer Steven Machat and show business lawyer Martin Machat. They became Cerron's managers in order to promote it internationally. Steven Machat signed Cerron to Atlantic Records in the USA and Canada, and to CBS everywhere except the USA, Canada and France. In France, he was given the right to publish on his own Malligator label. While waiting for the fourth album, Cerrone's fans were wondering where it would turn. Will this project be as conceptual and ambitious as the previous Supernatural, or will Cerrone return to the lingering, pleasant to forget and party style of the first albums Love in C Minor (1976) and Cerrone's Paradise (1977)? Making something amazing again after Supernature was, of course, not an easy task. Cerrone didn't repeat himself, but he made the fourth album no worse than the third. Cerrone IV: The Golden Touch was met with rave reviews in the United States, and Atlantic threw a huge party in New York in October 1978, one of the largest parties ever held for artists at that time. The album's envelope was decorated with appropriate pomp, where Cerron is represented in a laurel crown, and the Roman numeral in the title emphasizes his "crowned" status in disco culture. The Golden Touch in the title - The Golden Touch - proudly emphasizes the gold-bearing nature of Cerron's albums, which bring him "golden" discs, one after another. ...more

EGBERTO GISMONTI/ NANA VASCONCELOS-DUAS VOZES -1985-GERMANY'S FIRST PRESS- ECM-ECM1279. A rare original of the iconic jazzman. Duas vozes is the second album by Brazilian jazz duo Egberto Gismonti and Nana Vasconcelos, recorded in 1984 and released in 1985 on ECM. In an AllMusic review, Alvaro Neder gave the album 4.5 points, noting that "Egberto is very fond of percussion and ethereal configurations, which take on primary importance in his music, without necessarily being related with or without a musical theme or melody." ...more

JUDAS PRIEST-RAM IT DOWN-1988-THE FIRST PRESS UK/EU- HOLLAND-CBS-461108-1. A rare European original by a cult hard band. Ram It Down is the eleventh studio album by heavy metal band Judas Priest, released in 1988.. Ram It Down was heavier than its predecessor Turbo, but was also recorded using synthesizers. A drum machine was also used during the recording due to the health problems of drummer Dave Holland. The album reached the top ten of the European charts, reached number 24 in Britain, and reached number 31 in the United States. ...more

ROLLING STONES-ROCK "N"-1972-THE FIRST UK PRESS-DECCA-SKL5149. A rare British original of a cult album. Rock 'n' Rolling Stones is a compilation album by the Rolling Stones, released in 1972. It reached 41st place in the UK Albums chart. The album contains five Chuck Berry covers, as well as Berry-related songs such as "Route 66" and "Down the Road Apiece". This album was the second "post-contract" album released by Decca after the termination of their relationship with the Stones in 1971. Due to the nature of the contract, the band lost all control over their recordings until 1971, which are jointly managed by Decca and ABKCO Records. ...more

SHOCKING BLUE-SCORPIO'S DANCE-1970-FIRST PRESS GERMANY-METRONOME-MLP 15.377. A very rare German original of the cult album.  Scorpio's Dance is the third studio album by the Dutch rock band Shocking Blue, released in 1970 on the Pink Elephant label. In this album, the band decided to experiment with country and Americana (in the tracks "Alaska Country" and "Sally Was a Good Old Girl"), while maintaining their rock orientation. Despite the band's growing popularity, the record was not popular in the United States. ...more