Lot 58LED ZEPPELIN-SAME-1969-FIRST PRESS GERMANY-ATLANTIC-NMINT/NMINT

SLADE-SLADE IN FLAME-1974-THE FIRST UK-POLYDOR PRESS- 2442-126. A rare British original. Slade in Flame is the fifth studio album by the British rock band Slade. It was released on November 29, 1974, ranked 6th in the UK and was certified gold by the BPI in February 1975.  ...more

EGBERTO GISMONTI/ NANA VASCONCELOS-DUAS VOZES -1985-GERMANY'S FIRST PRESS- ECM-ECM1279. A rare original of the iconic jazzman. Duas vozes is the second album by Brazilian jazz duo Egberto Gismonti and Nana Vasconcelos, recorded in 1984 and released in 1985 on ECM. In an AllMusic review, Alvaro Neder gave the album 4.5 points, noting that "Egberto is very fond of percussion and ethereal configurations, which take on primary importance in his music, without necessarily being related with or without a musical theme or melody." ...more

INXS-LISTEN LIKE THIEVES-1985-THE FIRST PRESS HOLLAND-MERCURY-824957-1. A rare European original of the cult group. Listen Like Thieves is the fifth studio album by the Australian rock band INXS, released on October 14, 1985. It is considered the breakthrough album in the band's career, it was on it that the single "What You Need" was released, which hit the Top 5 of the US charts (the best result for INXS at that time). This album also marked the beginning of the band's successful collaboration with producer Chris Thomas, who had a hand in recording the band's next most successful albums, Kick (1987) and X (1990). In the USA, the album received double platinum status. The album had a circulation of 2 million copies. ...more

PAUL KOSSOFF WITH BLACK CAT BONES- PAUL'S BLUES (3LP'S) -1968-FIRST PRESS 2008 UK-SUNBEAM-SBR3LP5058. Kossoff's first real band was The Black Cat Bones.  She was a blues-rock band from the late 60s, which alsofuture Freelance drummer Simon Kirk participated (while this album also includes the likes of Derek and Stuart Brooks from Leaf Hound, along with Paul Rogers). The Bones were well known at concert venuesand they performed as a house band for many bands coming to the USA, and also supported Fleetwood Mac and Peter Green. This 3-disc set features Kossoff's earliest known works, including rehearsals with The Bones in London in 1967. Both the content and the sound quality are such that only fans can be interested, but those same fans will enjoy listening to Kossoff's fiery jams when he was at the peak of his career. ...more

CERRONE-GOLDEN TOUCH-1978-THE FIRST USA-COTILLION-SD5208 press. A rare American original of a cult album. Cerrone IV - The Golden Touch is the fourth studio album by French disco musician and producer Jean-Marc Cerrone, released in 1978 on Malligator (773,807) in France, on Atlantic branch Cotillion (SD 5208) in the USA, on CBS - in European countries. Having gained the huge popularity of his previous album, Supernatural - Cerrone III (1977), Cerrone decided to consolidate his success by signing important contracts. First of all, he signed an agreement with the Machat brothers: producer Steven Machat and show business lawyer Martin Machat. They became Cerron's managers in order to promote it internationally. Steven Machat signed Cerron to Atlantic Records in the USA and Canada, and to CBS everywhere except the USA, Canada and France. In France, he was given the right to publish on his own Malligator label. While waiting for the fourth album, Cerrone's fans were wondering where it would turn. Will this project be as conceptual and ambitious as the previous Supernatural, or will Cerrone return to the lingering, pleasant to forget and party style of the first albums Love in C Minor (1976) and Cerrone's Paradise (1977)? Making something amazing again after Supernature was, of course, not an easy task. Cerrone didn't repeat himself, but he made the fourth album no worse than the third. Cerrone IV: The Golden Touch was met with rave reviews in the United States, and Atlantic threw a huge party in New York in October 1978, one of the largest parties ever held for artists at that time. The album's envelope was decorated with appropriate pomp, where Cerron is represented in a laurel crown, and the Roman numeral in the title emphasizes his "crowned" status in disco culture. The Golden Touch in the title - The Golden Touch - proudly emphasizes the gold-bearing nature of Cerron's albums, which bring him "golden" discs, one after another. ...more