Lot 70SLADE-SLADE IN FLAME-1974-FIRST PRESS UK-POLYDOR-NMINT/NMINT

CERRONE-GOLDEN TOUCH-1978-THE FIRST USA-COTILLION-SD5208 press. A rare American original of a cult album. Cerrone IV - The Golden Touch is the fourth studio album by French disco musician and producer Jean-Marc Cerrone, released in 1978 on Malligator (773,807) in France, on Atlantic branch Cotillion (SD 5208) in the USA, on CBS - in European countries. Having gained the huge popularity of his previous album, Supernatural - Cerrone III (1977), Cerrone decided to consolidate his success by signing important contracts. First of all, he signed an agreement with the Machat brothers: producer Steven Machat and show business lawyer Martin Machat. They became Cerron's managers in order to promote it internationally. Steven Machat signed Cerron to Atlantic Records in the USA and Canada, and to CBS everywhere except the USA, Canada and France. In France, he was given the right to publish on his own Malligator label. While waiting for the fourth album, Cerrone's fans were wondering where it would turn. Will this project be as conceptual and ambitious as the previous Supernatural, or will Cerrone return to the lingering, pleasant to forget and party style of the first albums Love in C Minor (1976) and Cerrone's Paradise (1977)? Making something amazing again after Supernature was, of course, not an easy task. Cerrone didn't repeat himself, but he made the fourth album no worse than the third. Cerrone IV: The Golden Touch was met with rave reviews in the United States, and Atlantic threw a huge party in New York in October 1978, one of the largest parties ever held for artists at that time. The album's envelope was decorated with appropriate pomp, where Cerron is represented in a laurel crown, and the Roman numeral in the title emphasizes his "crowned" status in disco culture. The Golden Touch in the title - The Golden Touch - proudly emphasizes the gold-bearing nature of Cerron's albums, which bring him "golden" discs, one after another. ...more

ELECTRIC LIGHT ORCHESTRA-OUT OF THE BLUE (VERSION -TOUR OBI) -1977-THE FIRST PRESS OF JAPAN-JET-GXG-25/26. The rare Japanese original of the cult album is one of the most commercially successful albums of the group (the number of sales worldwide was about 10 million). ...more

ABBA-ARRIVAL-1976-ORIGINAL PRESS 1978 JAPAN-DISCO MATE-DSP-5102. A rare Japanese early edition . Arrival is the fourth studio album by the Swedish band ABBA, released in 1976. Arrival reached the top of the sales rankings in Sweden, Holland, Germany, Great Britain, Australia, Mexico, New Zealand. The single from this album, "Dancing Queen", reached the first position in the US charts and is ABBA's most successful record in this country. ...more

BEE GEES-MAIN COURSE-1975-THE FIRST PRESS JAPAN-RSO-MW2132. A rare Japanese original of a cult album. Main Course, released in 1975 for the RSO label, is The Bee Gees' 13th album, and their final album to be released by Atlantic Records in the United States as part of distribution with Robert Stigwood. This album marked a change for the Bee Gees, as it was their first album to include disco-influenced songs, and established a model for the rest of the 1970s. The album went double platinum in Canada and gold in the United States. ...more

STEVE VAI- PASSION AND WARFARE - 1990- FIRST PRESS UK-FFT- GRUB17. A rare British original. Passion and Warfare is the second studio album by guitarist Steve Vai, released on May 22, 1990 on Relativity and Epic Records. He received a gold certificate from the RIAA. Passion and Warfare was written based on a series of episodes of dreams that Vai had when he was younger, and in the album's guitar notes book Vai summarizes it this way: "Jimi Hendrix meets Jesus Christ at a party that Ben Hur arranged for Mel Blanc." It was all recorded at Mothership Studios in his Hollywood Hills home, a 1,600-square-foot (150 m2) building that also recorded his guitar parts for Whitesnake's 1989 album Slip of the Tongue. Whitesnake frontman David Coverdale has small spoken parts on the album; Coverdale, Adrian Vandenberg and Rudy Sarzo are credited with backing vocals. Vai claims that planning for the album began back in 1982, but was postponed after joining David Lee Roth's band and was not resumed until the breakup with Roth in 1989. ...more