Lot 56ELOY-POWER AND THE PASSION-1975-ORIGINAL PRESS 1977 GERMANY-HARVEST-NMINT/NMINT

DORO-FORCE MAJEURE-1989-FIRST PRESS GERMANY-VERTIGO-838016-1. Rare original first solo album by DORO PESCH after leaving WARLOCK. ...more

AC/DC-FOR THOSE ABOUT TO ROCK-1981-FIRST PRESS UK/EU-GERMANY -ATLANTIC-ATL50851. For Those About to Rock (We Salute You) — Studio album by Australian rock band AC/DC, released in 1981 on Atlantic Records The band's first album, which reached number one in the hit parade Billboard 200. The disc topped the American charts for three weeks in the same year the group was headlining at the festival in Donington. Two singles from this album — "For Those About To Rock (We Salute You)" and "Let's Get It Up", was in English twenty. The album reached the maximum level of sales in the U.S. and has been certified four-times platinum by the RIAA for a circulation of more than 4 000 000 copies in January 2001. ...more

LAID BACK-HOLE IN THE SKY-1990-FIRST GERMANY PRESS-ARIOLA room 210263, a Rare original of one of the best disco albums. ...more

NAZARETH-CINEMA-1986 - FIRST PRESS UK/EU HOLLAND-VERTIGO-830300-1. Rare original the only edition on vinyl in Europe. The sixteenth album by the Scottish rock band Nazareth, released in February 1986 on Vertigo in Europe and on A&M Records in America. In the Cinema the group can say, turned to his roots, to the good old hard rock that and fell in love with in the seventies. The album almost entirely consists of the numbers that show Nazareth this side. The material for the Cinema is half of the songs is a collective work, half from the works of Manny Charlton. This all - sturdy hard rock that does honor to Nazareth to get back to the music at the end of the 1980s almost no one did. ...more

MAYALL, JOHN-CRUSADE-1967-FIRST UK PRESS-DECCA-SKL4890. Matrix A-1W/B-1W. Very rare original cult Blues rocker. Since the release of the previous album A Hard Road in the composition of Bluesbrakers there have been noticeable changes: Peter green went to collect his own band (Fleetwood Mac), and Ainsley Dunbar went to Jeff Beck. The vacant position of drummer John Keefe took Hartley's, and replacing the lead guitarist was more difficult - because the new musician would have to withstand the comparison with Clapton and green. John recalled that on one of concerts when Eric for some reason didn't show up on time, came a young boy who claimed to know the entire repertoire of Bluesbreakers. Have Mayola there was little choice, and he invited the young guitarist to the stage. He demonstrated a good knowledge of the material and excellent technique, and John was impressed with his game. But after the concert the boy left without giving their coordinates. Now Mayall wanted to find this musician, and in the end was able to do this by placing an ad in Melody Maker. So the group came to Mick Taylor, inclined more to Blues-rock, and not pure Blues. The group was expanded by the involvement of two saxophone - Chris Mercer tenor and Rip Kant on the baritone. This sextet went into the Studio on 11 and 12 July to record a new album that was produced by Mike Vernon, and as the engineer was again observed Gus Dudgeon. ...more