Lot 97DIZZY GILLESPIE AND ROY ELDRIDGE-SOUL MATES -1966-FIRST PRESS USA-VERVE-NMINT/NMINT

URIAH HEEP-...VERY 'EAVY VERY 'UMBLE-1970-THE FIRST UK PRESS- VERTIGO SWIRL-6360006.  A mega rare British original of the iconic album. The album was released in June 1970 by Vertigo Records in the UK. The original vinyl release was a spread-out envelope with frontman David Byron depicted on the front sleeve, almost unrecognizable under the cobwebs. It was released in August 1970 by Mercury Records in the United States under the name just Uriah Heep with a different artwork on the cover (a centipede-type monster) and with the track "Bird of Prey" instead of "Lucy Blues". The album was re-released by Bronze Records in 1971 after the band signed with that label. The album shows the band trying out different genres – a mix of heavy metal and progressive rock, rather than the hard rock they became known for on later albums. Tracks 3 and 8 were recorded as Spice songs before the band was renamed Uriah Heep, and featured session musician Colin Wood on keyboards. When Ken Hensley joined Spice in early 1970, the tracks were not re-recorded. ...more

BLOOD, SWEAT & TEARS-BRAND NEW DAY-1977-FIRST PRESS USA-ABC-AB1015. A rare American original of the cult prog-jazz-rock band. The tenth album by Blood, Sweat & Tears, released in November 1977. It was the band's only release on ABC Records. It was produced by Roy Haley and former band drummer Bobby Colomby. Columbi and Haley also co-produced the band's fourth album, Blood, Sweat & Tears; 4, in 1971. The New Day failed to chart on the Billboard 200, peaking at number 205. Jason Elias wrote for AllMusic: "For the most part, Brand New Day wasn't as innovative or grandiose as previous releases, but fans will enjoy some of the best moments." ...more

SPACE-JUST BLUE-1978-THE FIRST PRESS OF FRANCE-VOGUE-LD.8523. A very rare original on the blue vinyl of the iconic album. The third album by the French band Space, released by the French company Vogue in 1978. The album had the same wide international success as the previous two. ...more

COLTRANE, JOHN / SHEPP, ARCHIE -NEW THING AT NEWPORT-1965-FIRST PRESS (STEREO) USA- IMPULSE-AS-94-A very rare American original of the cult album . A 1965 live album consisting of two separate sets from that year's Newport Jazz Festival, composed by tenor saxophonists John Coltrane and Archie Shepp. It was recorded four days after Coltrane's Ascension album recording session, at which Shapp appeared, and is one of several albums documenting the final stages of Coltrane's "classic quartet", which would begin to break up by the end of that year with the departure of McCoy Tyner. Reviewer Tim Niland wrote that both of Coltrane's performances are "explosive in their intensity" and "One Down, One Up" is "almost boiling at times." He stated: "Despite the audacity of the music, there are enough melodic hints in it, and the musicians are so obviously sincere in their desire to explore the world that the audience gives them great support." Nayland concluded: "Although the music on this CD must have come as something of a shock to those who were unprepared for it, listening to it in a historical context shows that this is a great example of the rapidly developing state of jazz in the mid-1960s by two of its most famous performers." ...more

MUDDY WATERS-ELECTRIC MUD-1968-THE FIRST UK PRESS- CHESS-CRLS-4542 is a very rare British original of the cult album "papa" blues. Electric Mud is the fifth studio album by Muddy Waters, featuring the members of Rotary Connection as a backing band. Released in 1968, it introduces Muddy Waters as a psychedelic musician. Producer Marshall Chess suggested that Muddy Waters record it in an attempt to appeal to a rock audience. The album reached number 127 on the Billboard 200 chart. The album caused controversy due to the fusion of electric blues with elements of psychedelics. ...more