Lot 83ROXETTE-JOYRIDE-1991-FIRST PRESS GERMANY-EMI-NMINT/NMINT

CREEDENCE CLEARWATER REVIVAL-PENDULUM-1970-THE FIRST UK PRESS-LIBERTY-LBG83400. Matrices A-1/B-1. A very rare British original of the cult album. Pendulum is the sixth studio album by American band Creedence Clearwater Revival, recorded at Wally Hyder's studio in San Francisco and released on the Fantasy label in December 1970. Pendulum is the last CCR album to feature rhythm guitarist Tom Fogerty, who left the band shortly after the album's release. The record demonstrates the group's desire to expand its own stylistic framework, a number of his compositions are musically noticeably more complex than the CCR recordings of the 1968-1969 sample. The most ambitious of the band's seven albums, Pendulum was recorded for about a month — twice as long as the rest of the records. ...more

GENESIS-INVISIBLE TOUCH-1986-UK FIRST PRESS-VIRGIN - GENLP2. Rare British original. Invisible Touch is the thirteenth Studio album by British ProgRock band Genesis, released on June 9, 1986. The album spent 96 weeks in the UK charts and became the most successful band in the United States. The song "Tonight, Tonight, Tonight" was used in advertising Michelob, as well as Collins ' song "In the Air Tonight" and the song "In Too Deep" was in the film "Mona Lisa". Instrumental piece "The Brazilian" sounds in the cartoon "When the wind blows" along with the music of Roger waters. ...more

CHARLES LLOYD-SOUNDTRACK- 1969-FIRST PRESS USA-ATLANTIC-SD1519. A rare original by one of the iconic saxophonists of the second wave of the 60s. The Soundtrack is a live album by jazz saxophonist Charles Lloyd, recorded at New York City Hall in 1968 by the Charles Lloyd Quartet featuring Keith Jarrett, Ron McClure and Jack DeJohnette.Tom Jurek's review on Allmusic awarded the album 4 stars and reads: "The soundtrack stomps with all the fury of a live gospel choir trying to assign Saturday night to God and not another guy... The band is in a heavy Latin American mood, where blues, samba, bossa, hard bop, modal and even soul are saturated with blues. With only four tunes presented, the Charles Lloyd Quartet, although slightly more dissonant than in 1966 and 1967, plays much harder, rougher and gets into rhythm faster than any group that Lloyd led previously... The band broke up shortly after when Jarrett left to play with Miles Davis, but if it had been a swan song live, they couldn't have picked a better gig. ...more

SADE-PROMISE-1985-THE FIRST UK PRESS-EPIC - EPC86318. A rare British original. Promise is the second studio album by the band Sade. Almost every second song from the album reached the top of the billboards ("Is It a Crime" and "Fear"), several songs became singles ("Never as Good as the First Time" and "The Sweetest Taboo"). Promise became four times platinum in the USA, twice platinum in the UK and Canada, and platinum in Germany. ...more

COLTRANE, JOHN / SHEPP, ARCHIE -NEW THING AT NEWPORT-1965-FIRST PRESS (STEREO) USA- IMPULSE-AS-94-A very rare American original of the cult album . A 1965 live album consisting of two separate sets from that year's Newport Jazz Festival, composed by tenor saxophonists John Coltrane and Archie Shepp. It was recorded four days after Coltrane's Ascension album recording session, at which Shapp appeared, and is one of several albums documenting the final stages of Coltrane's "classic quartet", which would begin to break up by the end of that year with the departure of McCoy Tyner. Reviewer Tim Niland wrote that both of Coltrane's performances are "explosive in their intensity" and "One Down, One Up" is "almost boiling at times." He stated: "Despite the audacity of the music, there are enough melodic hints in it, and the musicians are so obviously sincere in their desire to explore the world that the audience gives them great support." Nayland concluded: "Although the music on this CD must have come as something of a shock to those who were unprepared for it, listening to it in a historical context shows that this is a great example of the rapidly developing state of jazz in the mid-1960s by two of its most famous performers." ...more