Lot 76SADE-PROMISE-1985-FIRST PRESS UK-EPIC-NMINT/NMINT

KEEF HARTLEY-LANCASHIRE HUSTLER-1973-THE FIRST UK-DERAM-SDL-13 PRESS. A very rare British original of the iconic album. Keef Hartley - Lancashire Hustler  After the breakup of the Keef Hartley Band, drummer Keith "Keef" Hartley (April 8, 1944 - November 26, 2011) released another album, Lancashire Hustler, considered his solo album... He uses mostly the services of sessions, and took Jess Roden on vocals.In late 1974, Hartley and Anderson Miller settled their differences and formed a new band, Dog Soldier, which also included guitarist Derek Griffiths (ex-Artwoods), keyboardist Mel Simpson and bassist Paul Bliss. But after the release of the album title (1975), Hartley announced his departure from the band. ...more

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RALPH TOWNER -CITY OF EYES-1989-ПЕРВЫЙ ПРЕСС GERMANY- ECM-ECM 1388. A rare original of the iconic jazzman. City of Eyes is an album by American jazz guitarist Ralph Towner recorded in 1988 and released on ECM the following April. The quintet consists of trumpeter Marcus Stockhausen, oboist Paul McCandless and rhythm section Gary Peacock and Jerry Granelli. Tom Jurek's review on AllMusic awarded the album 4 stars, stating: "City of Eyes once again shows Ralph Towner as a musical researcher, composer and instrumentalist who can convincingly create sonic journeys through time, space and terrain." ...more

COLTRANE, JOHN / SHEPP, ARCHIE -NEW THING AT NEWPORT-1965-FIRST PRESS (STEREO) USA- IMPULSE-AS-94-A very rare American original of the cult album . A 1965 live album consisting of two separate sets from that year's Newport Jazz Festival, composed by tenor saxophonists John Coltrane and Archie Shepp. It was recorded four days after Coltrane's Ascension album recording session, at which Shapp appeared, and is one of several albums documenting the final stages of Coltrane's "classic quartet", which would begin to break up by the end of that year with the departure of McCoy Tyner. Reviewer Tim Niland wrote that both of Coltrane's performances are "explosive in their intensity" and "One Down, One Up" is "almost boiling at times." He stated: "Despite the audacity of the music, there are enough melodic hints in it, and the musicians are so obviously sincere in their desire to explore the world that the audience gives them great support." Nayland concluded: "Although the music on this CD must have come as something of a shock to those who were unprepared for it, listening to it in a historical context shows that this is a great example of the rapidly developing state of jazz in the mid-1960s by two of its most famous performers." ...more

GEORDIE-DON'T BE FOOLED BY THE NAME-1974-THE FIRST DENMARK PRESS-EMI- EMA764. Matrix A-3/B-3. A very rare Danish original hard rock style icon in top condition. Geordie's second album "Don't be fooled by the name" (1974) became both the most interesting and the most successful work of the band: Melody Maker noted their "incredible drive", and NME recognized that "Malcolm writes great songs, and Johnson brilliantly performs them." One of the most interesting numbers on the record was the hard rock version of the standard "The House of the Rising Sun" (later that year, it was released as a single and reached the Top 20). Oddly enough, this was Geordie's last hit on the popularity lists of Britain or Western Europe. Throughout 1975, the band traveled continuously around Britain and Europe, exploiting their unexpected success. The only single released in the same year, "Wizard", went unnoticed. The failure also befell the concept album Save the world, released in early 1976, their rather clumsy attempt to stake out a plot in the territory of art rock. Geordie's star set as quickly as it rose. Deciding that the bandmates were to blame for everything, Johnson left Geordie in the summer of 1976 and signed a personal contract with MCA Records. Recorded with new partners and released in the same year, the album "Brian Johnson and Geordie" included reworking of the band's old hits, but did not return success. Johnson's second and last solo album "Strange man" was released on New Year's Eve, but it was also met with little enthusiasm by listeners. Johnson returned to Newcastle, where, forgetting to think about rock, he worked as a technician at a gas station until someone from AC/DC's entourage (some unknown fan) mentioned him, trying to find a replacement for the deceased Bon Scott. In April 1980, Johnson was officially announced as the new vocalist of the band. ...more