GROUNDHOGS-WHO WILL SAVE THE WORLD?-1972-FIRST PRESS UK-UA-UAG29237. Matrix A-1U/B-1U is a very rare British original of the cult prog blues band. WHO WILL SAVE THE WORLD?-A 1972 album recorded by The Groundhogs, originally released by United Artists Records in 1972, The cover is in the form of a comic book featuring groundhogs depicted by superheroes, drawn by comic book artist Neil Adams. In the story, they are fighting the personified evils of overpopulation, environmental pollution, war, "Pig Business" and "Sacred Cow" (religion), as well as a drug-addicted Monkey. Each of the band members is fighting their own evil, which has been hindering them from the very beginning, only for them to stand out and wreak havoc in another part of the globe. The lyrics of each song touch on these themes, and despite the comic nature of the cover, the lyrics are quite serious because they are politically and socially motivated.This was the first Groundhogs album to go beyond guitar/bass/percussion instruments, with McPhee using keyboards (mellotron and harmonium) on a number of tracks.
Vinyl record in top condition - NMINT/ARCHIVE. The cover is matte, multi-turn in top condition- NMINT/ARCHIVE. Labels as new -NM/ARCHIVE.
Lot sold: 8000 ₽
REA, CHRIS-ROAD TO HELL-1989-FIRST PRESS UK/EU-GERMANY-WEA - 246285-1. The Road to Hell is the tenth Studio album by Chris Rea, released in 1989. It is considered one of his most popular albums. The record has a platinum status. ...more
Lot sold: 3600 ₽
Estimate: 4000—5000 ₽
GRAND FUNK RAILROAD-GRAND FUNK-1969-THE SECOND PRESS OF USA -SKAO-406 is a very rare second press of the cult album. Grand Funk (also known as The Red Album) is the second studio album by American rock band Grand Funk Railroad, released in December 1969 on Capitol Records four months after their debut On Time. The producer was Terry Knight and the sound engineer was Ken Hamann. It became the band's first album to be awarded gold status by the RIAA. It included a cover of The Animals' song "Inside Looking Out", which is performed at the band's concerts to this day. ...more
Lot sold: 18000 ₽
ROLLING STONES-AFTERMATH -1966-FIRST PRESS(MONO) UK-DECCA - LK4786 Matrix XARL-7209-1B/XARL-7210-1A Stamper 1I/1M (Dream!) Aftermath is the fourth British and sixth American studio album by the British rock band The Rolling Stones, released in two versions. The British version of the record (Decca Records) was released on April 15, 1966, intended for sale in the United States (London Records) on June 20. The CD is designed in the classic rhythm and blues style for the band, but it has become more "experimental" than its predecessors; for example, in a number of songs such non-standard instruments for rock music as sitar, accordion and marimba (African xylophone) are used. It is believed that the recording of Aftermath has become one of the most important milestones in the work of the band. In 2002, the album was included in Rolling Stone magazine's list of the 500 Greatest Albums of All Time at number 108 ...more
Lot sold: 34000 ₽
Estimate: 40000—50000 ₽
HOLLIES-WOULD YOU BELIEVE?-1965-FIRST UK PRESS-PARLOPHONE-PSC7008 . Matrix A-1/B-1, Stamper 1L/1H (A Dream!) A rare British original of the grandees of the British beat scene. The Hollies' fourth British album, released in 1966. The album includes covers of Simon and Garfunkel's "I Am a Rock", Chuck Berry's "Sweet Little Sixteen" and Evie Sands' "I Can't Let Go", which became the Hollies' main hit on this album. ...more
Lot sold: 15000 ₽
Estimate: 17000—20000 ₽
KINKS- KONTROVERSY-1965-THE FIRST PRESS (STEREO)UK-PYE-NSPL18131359 Matrix A-2/B-2 . A very rare original of the iconic album The Kink Kontroversy is the third studio album by English rock band The Kinks. It was released in the United Kingdom on November 26, 1965 by Pye Records. Released in the United States on March 30, 1966 by Reprise Records, it became The Kinks' first American album with the same track list as its British counterpart. This is a transitional album containing elements of both earlier Kinks styles (songs with strong blues influences such as "Milk Cow Blues" and variations on the themes of the band's hits from 1964 to 1965 based on power chords such as "Until the End of the Day") and early indications of the future direction of Ray Davis' songwriting styles ("The World Keeps Going Round" and "I'm on an Island"). The title notes were written by Michael Aldred. The single "Till the End of the Day" became a real hit, peaking at number 8 in the UK and number 50 in the US, staying on each chart for eight weeks or more. ...more
Lot sold: 17000 ₽
Estimate: 30000—35000 ₽
