Lot 76WHAM (GEORGE MICHAEL AND ANDREW RIDGELEY) - MAKE IT BIG (+POSTER)-1984-FIRST PRESS UK/EU-HOLLAND -EPIC-NMINT/NMINT

BEATLES-A HARD DAY'S NIGHT (STEREO)-1964-FIRST UK-PARLOPHONE PRESS-PCS number 3058. Matrix numbers: Side 1: YEX 126-1; Side 2: YEX 127-1. 2GM/1O stamper (A dream!)The first press on July 10, 1964. Black label with yellow logo and silver print.  Parlophone Co. LTD.” printed at the beginning of the perimeter of the seal. "Record first published 1964" and "sold in the UK on the subject..." With or without the CT Tax code on the label.  ...more

HOLLIES-WOULD YOU BELIEVE?-1965-FIRST UK PRESS-PARLOPHONE-PSC7008 . Matrix A-1/B-1, Stamper 1L/1H (A Dream!) A rare British original of the grandees of the British beat scene. The Hollies' fourth British album, released in 1966. The album includes covers of Simon and Garfunkel's "I Am a Rock", Chuck Berry's "Sweet Little Sixteen" and Evie Sands' "I Can't Let Go", which became the Hollies' main hit on this album. ...more

KINKS- PART 1 LOLA VERSUS POWERMAN AND THE MONEYGOROUND-1970-THE FIRST UK PRESS-PYE-NSPL18359 Matrix A-1/B-3 . A very rare original of the cult album Lola Versus Powerman and the Moneygoround, Part One, usually shortened to Lola Versus Powerman or simply Lola, is the eighth studio album by the English rock band The Kinks, released on November 27, 1970. It is a concept album that is a satirical assessment of the music industry, including song publishers, trade unions, the press, accountants, business managers and life on tour. This marked the expansion of the band to five members with the addition of keyboardist John Gosling. Despite the fact that the album Lola Versus Powerman was released during a transitional period for The Kinks, it was a success with both critics and the public, hitting the top 40 in America and bringing the band back into the public eye, becoming a "comeback". It included two hit singles: "Lola", which reached the top 10 in the US and UK, and "Apeman", which reached number five in the UK. ...more

MOORE GARY-AFTER HOUR-1992-FIRST PRESS UK/EU-VIRGIN-212558. A rare original legend in rock music. After Hours is a studio album by Irish guitarist and singer Gary Moore, released on March 10, 1992. After a busy tour in 1990, Moore recorded the album "After Hours", which, like its predecessor, was sustained in the style of blues-rock, but with a great soul influence and with the addition of a brass section that played in the style of soul. Despite the fact that the album turned out to be very similar to "Still Got The Blues", its success was more modest. After Hours includes both Moore's original songs and well-known blues standards. The Memphis band The Memphis Horns took part in the recording, as well as guest musicians: BB King ("Since I Met You Baby") and Albert Collins ("The Blues Is Alright"). The album reached the 1st place in the charts of Switzerland and Sweden, as well as the 2nd place in Germany and Norway. In general, he received favorable reviews. Allmusic reviewer David Genzen called After Hours "as impressive" as Still Got the Blues. ...more

QUEEN-SHEER HEART ATTACK-1974-FIRST PRESS UK-EMI-EMC3061.Matrix A-3U/B-4U. A rare British original. The first fame, as well as commercial success, came to the group with this record, and the song "Killer Queen" became their first big hit, reaching number two in England. The album itself also reached number two in the UK and number 12 on the Billboard charts of 1975. ...more