Lot 78DEBORAH HARRY (EX-BLONDIE)-DEF, DUMB AND BLONDE-1989-FIRST PRESS UK-CHRYSALIS-NMINT/NMINT

PINK FLOYD-A MOMENTARY LAPSE OF REASON-1987-FIRST UK PRESS-EMI number EMD1003 A-3U matrices-1-1/ B-3U-1-1 .A Momentary Lapse of Reason is the thirteenth studio album by British rock band Pink Floyd, released by EMI Records (September 7, 1987) and Columbia Records (September 8, 1987). This is the first CD recorded by the band after Roger Waters left Pink Floyd. Work on the album A Momentary Lapse of Reason lasted from November 1986 to July 1987 in seven studios in London and Los Angeles. The main part of the material for the new album was written by David Gilmour. In addition, Gilmore took over the duties of producer. Bob Ezrin was invited to record the album as a co-producer. Unlike Pink Floyd's previous works, A Momentary Lapse of Reason is not based on any concept combining the lyrics.A Momentary Lapse of Reason rose to number three on both the US and UK charts. In August 2001, the album went four times platinum in the United States. ...more

PINK FLOYD-THE WALL (2VINYL)-1979-THE FIRST UK HARVEST PRESS - SHDW411 Matrices A-2U/B-2U/C-1U/D-2U (Very early!!!!)  The Wall is the eleventh studio album by British progressive rock band Pink Floyd. It was released on November 30, 1979 on two discs. This is the last release of the band, recorded in a classic line-up.: David Gilmour (guitar), Roger Waters (bass), Nick Mason (drums) and Richard Wright (keyboards). The Wall was one of the most commercially successful albums of 1980, reaching the top of several charts, including Billboard; by 1999, it had sold over 23 million copies in the United States, making The Wall one of the three best-selling albums in the United States. Rolling Stone magazine ranked this record 87th in its list of the "500 Greatest Albums of All Time." ...more

BYRDS- TURN! TURN! TURN!-1966-THE FIRST UK PRESS-CBS-SBPG62652 Rare original of the cult album.  TURN! TURN! TURN! is the second studio album by the American rock band the Byrds, released on December 6, 1965 on Columbia Records. Like its predecessor, Mr. Tambourine Man, the album continued the band's successful combination of vocal harmony and rattling twelve-string guitar. The album reached number 17 on the Billboard Top LPs chart and climbed to number 11 in the United Kingdom. "Turn! Turn around! Turn Around!" the single beat the album by two months and topped the Billboard Hot 100 chart. Another single from the album, "Set You Free This Time", was less successful and did not reach the top 50 in the United States. In Turn! Turn! Turn! McGinn's songwriting contributions increased, and rhythm guitarist David Crosby first gained recognition as a songwriter on The Byrds album, but most of the original material was still written by prolific songwriter Gene Clark. The album included two Bob Dylan cover versions.: "Times are Changing" and the unreleased song "Lay down your Tired Melody" at that time.  This was the last Byrds album to feature Gene Clark in its entirety, before the release of the reunited original 1973 Byrds quintet album. ...more

WILLY TOKAREV - OVER THE HUDSON-1983-ORIGINAL PRESS 2015 -EU-MIRUMIR-MIR100469. A rare anniversary edition of the iconic album. "Over the Hudson" is the third studio album by Soviet, American and Russian author-performer Willy Tokarev, released in 1983 on the Sava Recording Corporation label in the USA. The producer is Willy Tokarev. At the age of 40, in 1974, Willy Tokarev emigrated to the United States with $100 in his pocket. He was sheltered for 2-3 weeks by the Tolstoy Foundation, whose head was Alexandra Tolstaya, daughter of Leo Tolstoy. There he was a courier, a cleaner in a bakery, sorted through the Russian library of a millionaire, a newspaper deliveryman, became unemployed because he did not know English well, so he began to learn the language by reading American newspapers, graduated from a nurse's course, learned to drive a car, passed a taxi driving test and began working as a taxi driver to earn money for recording records, writing songs in his spare time, he was robbed four times (once, on Christmas Day, he was almost killed by a black man). He played at Carnegie Hall on a balalaika, which he bought at a souvenir shop on Fifth Avenue for $ 50, then played and sang in restaurants and nightclubs.  In 1979, the first record "And life is always beautiful!" was released, which was not particularly noticed. In 1981, the second album "In a noisy booth" was released, which brought Tokarev fame among Russian-speaking emigrants. In the 1980s, he worked at the Russian restaurant Sadko, and then at the restaurants Primorsky and Odessa, accompanied by Irina Ola. He was called the "honorary Jew of Brighton." Willy founded his own label, One Man Band, and recorded about twenty albums there.In 1989, Willy Tokarev flew to the USSR with concerts. A major role in the organization of these tours was played by the famous entrepreneur Viktor Shulman, who himself also performed "Odessa songs" from the repertoire of Leningrad "tape recorder" bards, Boris Sichkin and other veterans of the genre. 70 concerts throughout the Soviet Union were a success. ...more

IAN CARR WITH NUCLEUS-SOLAR PLEXUS-1971-THE FIRST UK PRESS-VERTIGO SWIRL-6360039. A mega rare original of the iconic jazz-rock progressive British band. Solar plexus is the third album by legendary musicians. On the previous two Nucleus albums, Carl Jenkins was the main songwriter. Now bandleader Ian Carr, who single-handedly wrote all the material for this album, has finally decided to take the reins. As a result of his conceptual approach, more spontaneous, groove compositions (reminiscent of the band's second album) alternate with more static and "compositional" ones (in the spirit of the first disc). Thus, the material here turned out to be, although without bright themes (Jenkins could not be surpassed), but more balanced and high-quality than on the previous disc. Yes, it is quite possible to blame Carr that his playing is devoid of Miles's emotional depths, but both he and the rest of the uncles from Nucleus have both individuality and a serious level of skill, which does not kill the music. Despite the seriousness of the ambitions, this is a very lively, diverse and mobile jazz-rock with a good game. In terms of mobility, a separate respect should be expressed to drummer John Marshall - it is always interesting to listen to him. Guitarist Chris Spedding doesn't do much solo, but he expertly maintains rocking rhythms. The final 15-minute Snakehips Dream is especially good: a cool groove and a real expanse for all musicians and listeners. ...more