Lot 26JUICY LUCY-LIE BACK AND ENJOY IT-1970-FIRST PRESS UK-VERTIGO-NMINT/NMINT

T.REX-GREATEST HITS (+ BIG POSTER)-1972-FIRST UK PRESS-EMI -BLN5003.A rare compilation album of T'REX's greatest hits. The set includes a large M.Bolan poster. ...more

TEN YEARS AFTER-WATT-1970-THE FIRST PRESS UK-DERAM-SML1078 Matrix XZAL10255,P-2W/XZAL10256,P-1W, Stamper 1UU/1GG (Very early!) A very rare original in a complete set (poster 65 cm x 65 cm) of the iconic British rock and blues band. Watt's album sounded in many ways like a continuation of "Cricklewood Green": it is based on the same pointed riffs and "angry" vocals, except that the general mood here is a little lighter. Alvin Lee began experimenting with complicated song structures, but achieved the greatest effect in riff stuff ("I'm Coming On"), soul-country "My Baby Left Me" (unrelated to the Elvis Presley song), "I Say Yeah", where the synthesizer sounds quite in the spirit of Keith Emerson ("Aquatarkus") and the ballad "Think About The Times".. After the release of the Watt album, the band's contract expired, and Wright transferred it to Columbia Records. ...more

KING CRIMSON-STARLESS AND BIBLE BLACK-1974-THE FIRST UK-ISLAND PRESS-ILPS9275 Matrix A-3U/B-3U SARC/SEAN+RAY. 2GL/1RM Stamper (Very early!) A very rare British original of the cult prog band. Starless and Bible Black is the sixth studio album by the English progressive rock band King Crimson, released in March 1974 by Island Records in the UK and Atlantic Records in the USA. Most of the album was recorded live and edited together with studio recordings and overdubs. The album includes several completely improvised compositions.Rolling Stone called the album "as stunning and powerful as In the Court of the Crimson King", especially praising the playing of Bruford and Cross, as well as the variety of timbres and lengthy instrumental improvisations. They concluded: "Fripp has finally put together the band of his dreams — hopefully they'll stick together long enough to keep releasing great albums like this one."  ...more

FREDDIE AND THE DREAMERS -YOU WERE MAD FOR ME-1964-FIRST PRESS (MONO) UK-COLUMBIA-33SX1663. A rare British original rock beat band. Mitch Murray was invited to the project, who wrote several songs for FREDDIE AND THE DREAMERS, and two subsequent singles, "I'm Telling You Now" and "You Were Made For Me", took second and third place in the charts. All this happened in 1963, and their first full-length album was released in the same year. As was often the case in those days, he was named after the band, Freddie And The Dreamers.  And it was a success! Those who know the history of rock music in the sixties will agree with me: not every talented band could count on such success. FREDDIE AND THE DREAMERS easily occupied a niche unoccupied by other bands in the souls of the British, or rather, in a certain part of it, and the longplay took fifth place in the national charts. The second album in 1964, "You Were Mad for Me", only fueled interest in the ensemble, although there, as in the first, there was not a single song created within the band. Chuck Berry, Paul Anka, Ray Charles and others…  ...more

NIRVANA -LOCAL ANAESTHETIC-1971-THE FIRST UK PRESS-VERTIGO-SWIRL-6360031. A mega rare original of one of the masterpieces of the British rock prog. Originally released on the Vertigo label in 1971, Local Anesthetic was the first album released under the NIRVANA name featuring only half of the original songwriting duo, Patrick Campbell-Lyons, who had been left alone after amicably parting ways with Alex Spyropoulos a few months earlier, disappointed by the band's lack of success, especially after the disastrous previous opus, and decided to pursue a career as a composer for the television and film industry. On Local Anesthetic, Campbell-Lyons chose a more “progressive” direction: the album consists of two long suites featuring saxophonist Mel Collins (KING CRIMSON) and the band JADE WARRIOR, among others. To be fair, it's worth noting that this CD wasn't a success either. The first track was a kind of psychedelic trance, with rather nondescript arrangements and the absence of any highlights, which cannot be said about the second side. The epic ”Home", consisting of five parts, is simply amazing, with its signature melodic lines and musical diversity - hard rock, blues rock, and psychedelia have not gone away, and the influence of jazz is palpable. A true feast for fans of the so-called proto-prog! ...more