Lot 12PAUL KOSSOFF WITH BLACK CAT BONES- PAUL'S BLUES (3LP'S) -1968-FIRST PRESS 2008 UK-SUNBEAM-NMINT/NMINT

JACK DEJOHNETTE-SPECIAL EDITION -1980-GERMANY'S FIRST PRESS- ECM-ECM1152. A rare original of the iconic jazzman. Special Edition is an album by American jazz drummer Jack DeJohnette, recorded in March 1979 and released on ECM the following year. The quartet consists of flautists David Murray and Arthur Blythe, as well as bassist and cellist Slip Warren. The AllMusic review, written by Scott Yanow, states: "The first (and most powerful) of Jack DeJohnette's Special Edition line-ups produced a sound that in many ways was revolutionary for modern and creative improvised music around 1980... This album deserves the highest rating of five stars for the high place it occupies in the evolution of jazz, striving for new heights and horizons." In 2012, a JazzTimes reviewer named it one of DeJohnette's key albums. ...more

BEATLES-ABBEY ROAD-1969-THE FIRST PRESS (NOT MISS A LINE)  UK-APPLE- PCS7089 Matrix A2/B1.  A very rare British original of the cult album. Abbey Road is the eleventh studio album by the British rock band The Beatles. Work on Abbey Road took place from February to August 1969 and became the last joint project of all four members of the ensemble (the last numbered album of the group Let It Be, released in 1970, was mostly recorded in January 1969). The record was produced by George Martin, who had worked with the band since 1962. Abbey Road sales totaled four million copies in the first two months. In the UK, the album debuted at the top of the national chart, where it remained for 11 weeks, after which it was supplanted by The Rolling Stones' Let It Bleed for one week. Then he returned to the 1st place again (in the Christmas week) and stayed there for another six weeks (17 weeks in total), until he was displaced by the second Led Zeppelin record - Led Zeppelin II. Abbey Road spent a total of 81 weeks on the UK Albums chart. There was a similar situation abroad. The record occupied the top spot of the Billboard Top LP chart for 11 weeks, becoming the best-selling album of 1969 according to the National Association of Recording Companies, as well as one of the record holders of the Japanese chart, appearing in its Top 100 for 298 weeks throughout the 1970s. ...more

KEITH JARRETT-CELESTIAL HAWK-1980-GERMANY'S FIRST PRESS- ECM-ECM 1175. A rare original of the iconic jazzman. Sky Hawk: For Orchestra, Percussion and Piano is an album of contemporary classical music by Keith Jarrett, recorded at Carnegie Hall with the Syracuse Symphony Orchestra conducted by Christopher Keen on March 22, 1980 and released on ECM in November of the same year. ...more

SHOCKING BLUE-SCORPIO'S DANCE-1970-FIRST PRESS GERMANY-METRONOME-MLP 15.377. A very rare German original of the cult album.  Scorpio's Dance is the third studio album by the Dutch rock band Shocking Blue, released in 1970 on the Pink Elephant label. In this album, the band decided to experiment with country and Americana (in the tracks "Alaska Country" and "Sally Was a Good Old Girl"), while maintaining their rock orientation. Despite the band's growing popularity, the record was not popular in the United States. ...more

CERRONE-GOLDEN TOUCH-1978-THE FIRST USA-COTILLION-SD5208 press. A rare American original of a cult album. Cerrone IV - The Golden Touch is the fourth studio album by French disco musician and producer Jean-Marc Cerrone, released in 1978 on Malligator (773,807) in France, on Atlantic branch Cotillion (SD 5208) in the USA, on CBS - in European countries. Having gained the huge popularity of his previous album, Supernatural - Cerrone III (1977), Cerrone decided to consolidate his success by signing important contracts. First of all, he signed an agreement with the Machat brothers: producer Steven Machat and show business lawyer Martin Machat. They became Cerron's managers in order to promote it internationally. Steven Machat signed Cerron to Atlantic Records in the USA and Canada, and to CBS everywhere except the USA, Canada and France. In France, he was given the right to publish on his own Malligator label. While waiting for the fourth album, Cerrone's fans were wondering where it would turn. Will this project be as conceptual and ambitious as the previous Supernatural, or will Cerrone return to the lingering, pleasant to forget and party style of the first albums Love in C Minor (1976) and Cerrone's Paradise (1977)? Making something amazing again after Supernature was, of course, not an easy task. Cerrone didn't repeat himself, but he made the fourth album no worse than the third. Cerrone IV: The Golden Touch was met with rave reviews in the United States, and Atlantic threw a huge party in New York in October 1978, one of the largest parties ever held for artists at that time. The album's envelope was decorated with appropriate pomp, where Cerron is represented in a laurel crown, and the Roman numeral in the title emphasizes his "crowned" status in disco culture. The Golden Touch in the title - The Golden Touch - proudly emphasizes the gold-bearing nature of Cerron's albums, which bring him "golden" discs, one after another. ...more