Lot 29PINK FLOYD-UMMAGUMMA (2LP)-1969-FIRST PRESS UK-HARVEST-NMINT/NMINT

ROLLING STONES-TATTOO YOU (+POSTER)-1981-THE FIRST JAPAN PRESS-ROLLING STONES-ESS-81455.It is a rare Japanese original and contains one of the band's most famous songs, "Start Me Up", which reached number two on the United States chart. ...more

URIAH HEEP-...VERY 'EAVY VERY 'UMBLE-1970-THE FIRST PRESS OF GERMANY- VERTIGO SWIRL-6360006. A very rare German original of the cult album. The album was released in June 1970 by Vertigo Records in the UK. The original vinyl release was a spread-out envelope with frontman David Byron depicted on the front sleeve, almost unrecognizable under the cobwebs. It was released in August 1970 by Mercury Records in the United States under the name just Uriah Heep with a different cover design (a centipede-type monster) and with the track "Bird of Prey" instead of "Lucy Blues". The album was re-released by Bronze Records in 1971 after the band signed a contract with that label. The album shows how the band tries different genres – a mix of heavy metal and progressive rock, rather than hard rock, which they became known for on later albums. Tracks 3 and 8 were recorded as Spice songs before the band's renaming to Uriah Heep, and featured session musician Colin Wood on keyboards. When Ken Hensley joined Spice in early 1970, the tracks were not re-recorded. ...more

EARL HINES -ONCE UPON A TIME-1966-FIRST PRESS (STEREO) USA-IMPULSE-AS9108 . A very rare American original of a cult jazz album. One of the most influential jazz pianists. He made an invaluable contribution to the development of jazz and the jazz piano technique in particular. Once Upon a Time is a studio album by American jazz pianist Earl Hines, recorded on January 10-11, 1966 and released on Impulse! in the same year. Hines is accompanied by members of the Duke Ellington Orchestra.   ...more

BOWIE, DAVID-STAGE (2 LP'S)-1978-FIRST PRESS UK-RCA- PL02913(2) A rare double concert by a British legend. Stage is the second live album by English musician David Bowie, recorded during the Isolar II Tour and released on RCA Records in 1978. The recording was made at concerts in Philadelphia, Providence, and Boston, USA, in late April and early May 1978. It mainly included material from Bowie's last studio albums at that time, "Station to Station", "Low" and "Heroes" (both 1977), but also contained five songs from "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" (1972). In addition to Bowie's main band, consisting of Carlos Alomar, Dennis Davis and George Murray, the band included former Frank Zappa member Adrian Belew on guitar, Simon House from Hawkwind on electric violin, Roger Powell, best known for working with Todd Rundgren in the band Utopia, on keyboards and Sean Mays on piano, string ensemble and backing vocals. They all reunited the following year on Bowie's next studio album Lodger (1979). Stage was a commercial success. In the UK, she took 5th place in the charts and subsequently received a gold certificate from the British Phonogram Producers Association (BPI). It also reached number 44 on the US charts. ...more

ARABESQUE-ARABESQUE-1978-THE FIRST SCANDINAVIA-TALENT-TLS3051 PRESS.  A very rare Scandinavian original of the first album of disco giants. Arabesque I (Friday Night) is the debut studio album by the West German disco band Arabesque. It was released in 1978 on EMI Electrola in Germany and on Victor Record in Japan. The Arabesque disco group was founded in 1977 (registered in the German city of Offenbach in a recording studio owned by legendary producer Frank Farian). At that time, there was a fashion in Europe for "girl groups” in which female vocals were dominant: Baccara, ABBA, Boney M. The debut album of the Arabesque trio was recorded with the following line-up: Karen Ann Tepperis, Michaela Rose and Mary Ann Nagel. After recording the first record, Tepperis and Nagel left the band, and Jasmin Vetter and Heike Rimbeau became new members of the trio. In 1979, Arabesque joined the seventeen-year-old and still unknown Sandra Lauer, who replaced vocalist Heike Rimbeau. Sandra immediately became an informal leader in the band - in the vast majority of songs, the main vocals belonged to her. Arabesque were very popular in Japan; in Europe, however, until the release of "Marigot Bay" in 1980, the band could not boast of "frenzied" success. After that, they gained real popularity, but they never rose to the "Japanese" level. I must say that the girls from the group complemented each other surprisingly precisely: they seemed to represent "three elements", three different types - dark-skinned Southerner Michaela, blonde Northerner Jasmine and, finally, Sandra with her "Japanese" cut of the eyes.In 1984, Sandra's five-year contract to work at Arabesque expired. She, with the support of her future husband Michael Cretu, decides to start a solo career, and the band, which rose due to Sandra's talent, ceases to exist. In the same year, the band's last album "Time To Say Good Bye" was released. Michaela Rose and Jasmine Vetter, trying not to miss their chance, create a new band called Rouge, but it was not successful. Rouge disbanded in 1988. Popularity in the USSR. Despite the lack of popularization of disco in the Soviet media, it had a lot of fans in the USSR. Arabesque were one of the favorite bands in Soviet discos. The popularity of the band was so great that in 1984 the Melodiya company released a record with ten songs from different albums. The record quickly became, as they said at the time, "scarce", and it could only be bought with a huge overpayment. Most of the band's songs were distributed across the country in tape recordings. In 1989, in the wake of Perestroika, Sandra was invited to Moscow, where she was greeted by a full house of enthusiastic fans. Arabesque songs are still often heard on Russian radio in retro programs dedicated to the 1980s. ...more