Lot 53DEEP PURPLE-COME TASTE THE BAND-1975-fist press UK-purple rec.-nmint/nmint

SUPERMAX-TYPES OF SKIN-1980-THE FIRST PRESS GERMANY-ELEKTRA - ELK52253.A very rare original. "Supermax" is a musical project by the Austrian composer Kurt Hauenstein, created in collaboration with producer Peter Hauke. The best album for the entire activity of the project, "Types of Skin", is dedicated to the police massacre of the black population of the Soweto reservation. Officially released on October 3, 1980, while all the compositions of the album became hits after a short time. ...more

PROCOL HARUM-EXOTIC BIRDS AND FRUIT-1974-FIRST UK PRESS-CHRYSALIS-CHR1058. Original rare British Exotic Birds and Fruit is the seventh Studio album by British progressive rock band Procol Harum . It was released in 1974. Album cover - Jakob Bogdani, the famous Hungarian artist, whose paintings dedicated to exotic birds and fruit. The album reached number 86 in the charts albums Billboard . In Denmark it reached a high of 9 after the release and almost a year later, in early 1975, she re-entered the Top 20, peaking at # 19. ...more

SUPERTRAMP-CRISIS! WHAT CRISIS?-1975-FIRST PRESS UK-AM- number AMLH68347 is a rare British original of the cult group. Crisis? What Crisis? is the fourth studio album by the prog rock band Supertramp, released in 1975. Crisis? What Crisis? the band's first CD recorded in the USA (Los Angeles). The title of the album is taken from Fred Zinnerman's feature film "The Day of the Jackal", released in 1973. Allmusic fully praised the album in their retrospective review, praising Rick Davis' keyboard work, Roger Hodgson's vocals, and John Helliwell's saxophone. They especially noted the emotionally powerful songwriting, which, in their opinion, gave the album "a warm personality and a charmingly subtle mood" The album received platinum in the USA and Canada, gold in Europe and Britain. ...more

WILLY TOKAREV - OVER THE HUDSON-1983-ORIGINAL PRESS 2015 -EU-MIRUMIR-MIR100469. A rare anniversary edition of the iconic album. "Over the Hudson" is the third studio album by Soviet, American and Russian author-performer Willy Tokarev, released in 1983 on the Sava Recording Corporation label in the USA. The producer is Willy Tokarev. At the age of 40, in 1974, Willy Tokarev emigrated to the United States with $100 in his pocket. He was sheltered for 2-3 weeks by the Tolstoy Foundation, whose head was Alexandra Tolstaya, daughter of Leo Tolstoy. There he was a courier, a cleaner in a bakery, sorted through the Russian library of a millionaire, a newspaper deliveryman, became unemployed because he did not know English well, so he began to learn the language by reading American newspapers, graduated from a nurse's course, learned to drive a car, passed a taxi driving test and began working as a taxi driver to earn money for recording records, writing songs in his spare time, he was robbed four times (once, on Christmas Day, he was almost killed by a black man). He played at Carnegie Hall on a balalaika, which he bought at a souvenir shop on Fifth Avenue for $ 50, then played and sang in restaurants and nightclubs.  In 1979, the first record "And life is always beautiful!" was released, which was not particularly noticed. In 1981, the second album "In a noisy booth" was released, which brought Tokarev fame among Russian-speaking emigrants. In the 1980s, he worked at the Russian restaurant Sadko, and then at the restaurants Primorsky and Odessa, accompanied by Irina Ola. He was called the "honorary Jew of Brighton." Willy founded his own label, One Man Band, and recorded about twenty albums there.In 1989, Willy Tokarev flew to the USSR with concerts. A major role in the organization of these tours was played by the famous entrepreneur Viktor Shulman, who himself also performed "Odessa songs" from the repertoire of Leningrad "tape recorder" bards, Boris Sichkin and other veterans of the genre. 70 concerts throughout the Soviet Union were a success. ...more

QUINCY JONES- I HEARD THAT!! (2LP'S)-1976-FIRST PRESS UK-AM-AMLM63705. A rare British original by an iconic musician. Quincy Jones - I Heard That! . The album gives Quincy an unusual format in '76 - on the first record, the listener gets new material, on the second, a collection of the best things during his stay on the A./M. label. The idea is, frankly, questionable - for obvious reasons, the first record can't be compared to the second, the opening straightforward dance I Heard That is no match for the opening perhaps iconic arrangement of Summer In The City from the album 73rd You've Got It Bad Girl. Nevertheless, after many years, the doppelganger listens well as just a selection of the best from Quincy. ...more