Lot 12STREISAND, BARBRA - MY NAME BARBRA-1965-FIRST PRESS UK- CBS-NMINT/NMINT

DAVE BRUBECK -BRAVO BRUBECK-1967-THE FIRST UK PRESS-CBS- SBPG63098. A rare British original of the cult album.Bravo! Brubeck! is a 1967 live album by Dave Brubeck and his quartet, recorded during their tour of Mexico. The quartet was joined by Chamin Correa on guitar and bongo and kong player Salvatore Agueros. It was released in 1967. The album reached number 9 on the Billboard Top Jazz Albums chart. ...more

BLOOD, SWEAT & TEARS-BRAND NEW DAY-1977-FIRST PRESS USA-ABC-AB1015. A rare American original of the cult prog-jazz-rock band. The tenth album by Blood, Sweat & Tears, released in November 1977. It was the band's only release on ABC Records. It was produced by Roy Haley and former band drummer Bobby Colomby. Columbi and Haley also co-produced the band's fourth album, Blood, Sweat & Tears; 4, in 1971. The New Day failed to chart on the Billboard 200, peaking at number 205. Jason Elias wrote for AllMusic: "For the most part, Brand New Day wasn't as innovative or grandiose as previous releases, but fans will enjoy some of the best moments." ...more

KRAFTWERK-RALF AND FLORIAN-1973-THE FIRST PRESS GERMANY-PHILIPS-6305197 Mega rare original in full configuration, with a poster for 8 spreads. The third studio album by the German electronic band Kraftwerk. It was released in October 1973 on Philips. In it, the band moved towards their signature electronic sound.. In 1975, it reached number 160 on the US Top 200 Albums chart. Along with Kraftwerk's first two albums, Ralf und Florian has not been officially reissued anywhere to date, and the band has not performed any of their material live since the late 70s. Nevertheless, the album remains an influential and sought-after work. In 2008, Fact named it one of the 20 greatest ambient albums ever made.   The record included a "musical" poster with caricatures of Emil Schult, who played the electric violin live with the band (although he does not appear on the album recordings). Schult remained an employee of Kraftwerk. Cartoons illustrated each track of the album, as well as the city of Dusseldorf with the caption "In Dusseldorf on the Rhine, klingt es bald!", which literally translates from English as "In Dusseldorf on the Rhine it will sound soon" ...more

CHARLES LLOYD-SOUNDTRACK- 1969-FIRST PRESS USA-ATLANTIC-SD1519. A rare original by one of the iconic saxophonists of the second wave of the 60s. The Soundtrack is a live album by jazz saxophonist Charles Lloyd, recorded at New York City Hall in 1968 by the Charles Lloyd Quartet featuring Keith Jarrett, Ron McClure and Jack DeJohnette.Tom Jurek's review on Allmusic awarded the album 4 stars and reads: "The soundtrack stomps with all the fury of a live gospel choir trying to assign Saturday night to God and not another guy... The band is in a heavy Latin American mood, where blues, samba, bossa, hard bop, modal and even soul are saturated with blues. With only four tunes presented, the Charles Lloyd Quartet, although slightly more dissonant than in 1966 and 1967, plays much harder, rougher and gets into rhythm faster than any group that Lloyd led previously... The band broke up shortly after when Jarrett left to play with Miles Davis, but if it had been a swan song live, they couldn't have picked a better gig. ...more

DOORS-SOFT PARADE-1969-ORIGINAL PRESS 1970 USA-ELEKTRA-EKS75005. Matrices A-2 CP- CTH/B-1 CTH.  A rare American early edition with the first matrices . The Soft Parade is the fourth studio album by the American rock band The Doors, released on July 18, 1969 on the Elektra label. The Soft Parade has not received approval from either critics or listeners. So, in the Billboard 200, the record reached only the sixth position, and in the charts of the UK and other European countries, the disc did not debut at all, unlike its predecessor Waiting for the Sun (1968). Of all the singles released in support of the album — "Touch Me", "Wishful Sinful", "Tell All the People"ruen and "Runnin' Blue" — only the first achieved sales success: it reached the third line in the Billboard Hot 100 and then received gold certification by the RIAA. Many music publications, for example, Rolling Stone, were dissatisfied with the record, mainly due to The Doors' attempt to move away from their style to the use of orchestral arrangements. Over time, music historians have changed their opinion about The Soft Parade for the better, but the CD is still recognized as one of the weakest works of the band during Morrison's lifetime. ...more