Lot 88ARMY OF LOVERS-MASSIVE LUXURY OVERDOSE-1991-FIRST PRESS SWEDEN-TON SON TON-NMINT/NMINT

MINOGUE, KYLIE-RHYTHM OF LOVE-1990-FIRST UK PRESS-PWL number PWLHF18.A rare original of the famous pop diva.  Rhythm of Love is the third studio album by Australian singer Kylie Minogue, released on November 12, 1990 in the UK on the PWL label and on December 3 of the same year in Australia on Mushroom Records. The recording of the album began in March 1990 and lasted until September. The main producers of the album were Stock, Aitken and Waterman. Minogue has also collaborated with a number of American authors and producers, including Keith Cohen, Stephen Bray and Michael Jay. The singer began to take part in songwriting: Rhythm of Love includes four compositions, co-authored by Minogue. Rhythm of Love is an album in the style of dance pop music, different from the singer's early works in the style of bubblegum pop. The compositions of the record are characterized by a more danceable sound, with its release, Minogue's image has become more liberated and sexy. The CD received positive reviews from music critics, who called it the best work of the performer during her collaboration with Stock, Aitken and Waterman. Compared to Minogue's previous albums, Rhythm of Love turned out to be less successful in terms of sales: the record reached the ninth line of the British charts, thus becoming the singer's first studio release not to reach the first line. In the Australian music ranking, the album secured the tenth position, which allowed it to become Minogue's third work to enter the top ten of this chart. In addition, Rhythm of Love reached the top twenty of the charts in Ireland, Spain and France. ...more

SPOOKY TOOTH-IT'S ALL ABOUT-1968-THE FIRST UK-ISLAND PRESS-ILPS9080 Matrix A/B is a very rare British original of the cult band. A wonderful debut album by the British band. Spooky Tooth is one of the bright bands that emerged at the turn of the decades and during the transition period from pure psycho, or blues, to new musical forms. The beautiful, "elegant", interesting music of Spooky Tooth is very good. Despite the quite mainstream nature of this band, they failed to achieve any significant commercial success. But the records they released are still listened to with pleasure today. In general, the group turned out to be a kind of star factory. After the breakup of ST, the band members scattered to quite famous and pretentious teams - guitarist Luther Grosvenor worked with Stealers Wheel and Mott the Hoople, bassist Ridley organized Humble Pie, the rest also did not get lost in the musical world, continuing to play with varying degrees of success. ...more

BEATLES-ABBEY ROAD-1969-THE FIRST UK PRESS-APPLE- PCS7089 A2/B1 matrix. 9MOD/7ARL stamper . A very rare British original of a cult album. Abbey Road is the eleventh studio album by the British rock band The Beatles. Work on Abbey Road took place from February to August 1969 and became the last joint project of all four members of the ensemble (the last numbered album of the group Let It Be, released in 1970, was mostly recorded in January 1969). The record was produced by George Martin, who had worked with the band since 1962. Abbey Road sold four million copies in the first two months. In the UK, the album debuted at the top of the national chart, where it remained for 11 weeks, after which it was replaced by The Rolling Stones' Let It Bleed for one week. Then he returned to 1st place again (during Christmas week) and stayed there for another six weeks (17 weeks in total), until he was replaced by Led Zeppelin's second record, Led Zeppelin II. In total, Abbey Road spent 81 weeks on the UK Albums chart. The situation was similar abroad. The album occupied the top spot of the Billboard Top LP chart for 11 weeks, becoming the best-selling album of 1969 according to the National Association of Recording Companies, as well as one of the record holders of the Japanese chart, appearing in its Top 100 for 298 weeks throughout the 1970s. ...more

FREDDIE AND THE DREAMERS -YOU WERE MAD FOR ME-1964-FIRST PRESS (MONO) UK-COLUMBIA-33SX1663. A rare British original rock beat band. Mitch Murray was invited to the project, who wrote several songs for FREDDIE AND THE DREAMERS, and two subsequent singles, "I'm Telling You Now" and "You Were Made For Me", took second and third place in the charts. All this happened in 1963, and their first full-length album was released in the same year. As was often the case in those days, he was named after the band, Freddie And The Dreamers.  And it was a success! Those who know the history of rock music in the sixties will agree with me: not every talented band could count on such success. FREDDIE AND THE DREAMERS easily occupied a niche unoccupied by other bands in the souls of the British, or rather, in a certain part of it, and the longplay took fifth place in the national charts. The second album in 1964, "You Were Mad for Me", only fueled interest in the ensemble, although there, as in the first, there was not a single song created within the band. Chuck Berry, Paul Anka, Ray Charles and others…  ...more

IAN CARR WITH NUCLEUS-SOLAR PLEXUS-1971-THE FIRST UK PRESS-VERTIGO SWIRL-6360039. A mega rare original of the iconic jazz-rock progressive British band. Solar plexus is the third album by legendary musicians. On the previous two Nucleus albums, Carl Jenkins was the main songwriter. Now bandleader Ian Carr, who single-handedly wrote all the material for this album, has finally decided to take the reins. As a result of his conceptual approach, more spontaneous, groove compositions (reminiscent of the band's second album) alternate with more static and "compositional" ones (in the spirit of the first disc). Thus, the material here turned out to be, although without bright themes (Jenkins could not be surpassed), but more balanced and high-quality than on the previous disc. Yes, it is quite possible to blame Carr that his playing is devoid of Miles's emotional depths, but both he and the rest of the uncles from Nucleus have both individuality and a serious level of skill, which does not kill the music. Despite the seriousness of the ambitions, this is a very lively, diverse and mobile jazz-rock with a good game. In terms of mobility, a separate respect should be expressed to drummer John Marshall - it is always interesting to listen to him. Guitarist Chris Spedding doesn't do much solo, but he expertly maintains rocking rhythms. The final 15-minute Snakehips Dream is especially good: a cool groove and a real expanse for all musicians and listeners. ...more