Lot 42QUEEN-A DAY AT THE RACES-1976-ORIGINAL PRESS 1981 UK-EMI-NMINT/NMINT

BLACK SABBATH-TECHNICAL ECSTASY -1978- FIRST PRESS UK-VERTIGO-9102750. A rare original of the cult album . "Technical Ecstasy" is the seventh studio album by the British rock band Black Sabbath, released in 1976. Musically, the CD is a further development of the musical ideas of the guitarist and main composer of the band Tony Iommi. Just like on the last two albums, on Technical Ecstasy, simple and short songs such as "Rock 'N' Roll Doctor" contrast with longer and more complex songs such as "You Won't Change Me" and "Dirty Women". The source material was somewhat spoiled by unimportant production [the source is not specified for 102 days, and therefore could not repeat the commercial success of its predecessor, the album Sabotage (1975). Nevertheless, partly thanks to the beautiful songs, and partly thanks to the big name "Black Sabbath", this album sold steadily and eventually received its "platinum" in the UK and "gold" in the USA. Technical Ecstasy reached number 13 in the UK charts and number 51 in the US Billboard magazine charts ...more

DEEP PURPLE-IN ROCK-1970-ORIGINAL PRESS 1974 JAPAN-WARNER.-P-8020W. A rare Japanese edition of the iconic album. Deep Purple in Rock is the fourth studio album by the British rock band Deep Purple, released on June 5, 1970 on Harvest Records. This is the first studio album recorded with the classic band line-up called "Mark II" (a little earlier, this line-up recorded the live album Concerto for Group and Orchestra). Since this album, the band's style has changed dramatically. Deep Purple started playing hard rock almost simultaneously with such bands as Black Sabbath, Led Zeppelin, Uriah Heep, and are considered one of the founders and classics of this genre. According to the music critic, "the record became the epicenter of destruction, a fresh stream in the rock of the 1970s and a turn in history, in which the roots of the heavy metal style were laid." Deep Purple in Rock became the band's breakthrough album in Europe and reached number four on the UK national charts, remaining on the charts for over a year. His accompanying single "Black Night" reached the 2nd line. Included in various lists of the best albums, including Classic Rock magazine's list of the "100 Greatest British Albums of All Time" and Q magazine's list of the "50 Best Albums of the 70s." In 2015, the American website Ultimate Classic Rock ranked the album at the top of its ranking of Deep Purple's best works. Certified as a gold disc in the UK, USA, France, the Netherlands and Argentina. ...more

WHITESNAKE-COME AN' GET IT-1981-FIRST PRESS HOLLAND-LIBERTY-1A062-83134.A very rare European original by a cult hard band. Come an’ Get It is the fourth studio album by Whitesnake, released on April 11, 1981. The album reached the second position on the national chart, which was the band's highest charting achievement at the time. The songs "Don't Break My Heart Again" and "Would I Lie to You" were released as singles and reached the UK Top 20. ...more

NAZARETH- NO MEAN CITY-1978- ORIGINAL PRESS 1982 UK-SAHARA-SAH129. A rare British edition of the iconic album. The tenth studio album by the band Nazareth. The album cover was painted by Rodney Matthews, a famous English fantasy illustrator who created covers for the works of many other artists (Scorpions, Thin Lizzy and others) The title of the CD is borrowed from the novel "No Mean City" (1935) by Alexander MacArthur and Kingsley Long. With this album, the band's sound has become heavier, given the addition of guitarist Zal Cleminson from the Sensational Alex Harvey Band. The popularity of the album allowed the band to perform with several big names such as Thin Lizzy on their 1978/79 tour. ...more

ANIMALS-MOST OF THE ANIMALS-1965-FIRST PRESS (MONO) UK-COLUMBIA-SX6035. Matrices A-1/B-1 .1GT/1M stamper (A dream!). A rare British original of the iconic rock band. The Most of the Animals is the title of an album of collected tracks from 1964 and 1965. The album's title comes from the name of their then-producer Mickey Most. The album was released in April 1966 on the Columbia label (SX 6035). Most of the material was not featured on either of the two previous British records. The album reached number four, their highest position on the UK Albums Chart (both previous records reached number six). It was their last album on the EMI-owned Columbia label before switching to Decca. ...more