ARABESQUE-ARABESQUE-1978-THE FIRST SCANDINAVIA-TALENT-TLS3051 PRESS. A very rare Scandinavian original of the first album of disco giants. Arabesque I (Friday Night) is the debut studio album by the West German disco band Arabesque. It was released in 1978 on EMI Electrola in Germany and on Victor Record in Japan. The Arabesque disco group was founded in 1977 (registered in the German city of Offenbach in a recording studio owned by legendary producer Frank Farian). At that time, there was a fashion in Europe for "girl groups” in which female vocals were dominant: Baccara, ABBA, Boney M. The debut album of the Arabesque trio was recorded with the following line-up: Karen Ann Tepperis, Michaela Rose and Mary Ann Nagel. After recording the first record, Tepperis and Nagel left the band, and Jasmin Vetter and Heike Rimbeau became new members of the trio. In 1979, Arabesque joined the seventeen-year-old and still unknown Sandra Lauer, who replaced vocalist Heike Rimbeau. Sandra immediately became an informal leader in the band - in the vast majority of songs, the main vocals belonged to her. Arabesque were very popular in Japan; in Europe, however, until the release of "Marigot Bay" in 1980, the band could not boast of "frenzied" success. After that, they gained real popularity, but they never rose to the "Japanese" level. I must say that the girls from the group complemented each other surprisingly precisely: they seemed to represent "three elements", three different types - dark-skinned Southerner Michaela, blonde Northerner Jasmine and, finally, Sandra with her "Japanese" cut of the eyes.In 1984, Sandra's five-year contract to work at Arabesque expired. She, with the support of her future husband Michael Cretu, decides to start a solo career, and the band, which rose due to Sandra's talent, ceases to exist. In the same year, the band's last album "Time To Say Good Bye" was released. Michaela Rose and Jasmine Vetter, trying not to miss their chance, create a new band called Rouge, but it was not successful. Rouge disbanded in 1988. Popularity in the USSR. Despite the lack of popularization of disco in the Soviet media, it had a lot of fans in the USSR. Arabesque were one of the favorite bands in Soviet discos. The popularity of the band was so great that in 1984 the Melodiya company released a record with ten songs from different albums. The record quickly became, as they said at the time, "scarce", and it could only be bought with a huge overpayment. Most of the band's songs were distributed across the country in tape recordings. In 1989, in the wake of Perestroika, Sandra was invited to Moscow, where she was greeted by a full house of enthusiastic fans. Arabesque songs are still often heard on Russian radio in retro programs dedicated to the 1980s.
Vinyl record in clean condition - NMINT/ARCHIVE The cover is lacquered in top condition - NMINT/ARCHIVE. Clean labels - NMINT/ARCHIVE
Lot sold: 6100 ₽
JULIE LONDON - BEST OF JULIE-1962-THE FIRST UK PRESS-LIBERTY-LBY1023. A very rare British original Julie London. Best of is the first compilation album by American singer Julie London, released in 1962 on the Liberty Records label. It is noteworthy that she herself participated in the selection of tracks for the album. ...more
Lot sold: 4400 ₽
Estimate: 6000—8000 ₽
THE BAND - LAST WALTZ (3LP'S) -1978-FIRST UK PRESS- WARNER-K66076 Rare British original of the iconic concert. "The Last Waltz" is a concert by the Canadian-American rock band The Band, held on American Thanksgiving Day, November 25, 1976, at the Winterland Ballroom in San Francisco. The Last Waltz was advertised as the band's "farewell concert",[2] and the band was joined at the concert by over a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan, as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Emmylou Harris, Dr. John, Joni Mitchell, Van Morrison, The Staple Singers, Ringo Starr, Muddy Waters, Ronnie Wood and Neil Young. The musical director of the concert was the original producer of the band John Simon. The concert was produced and hosted by Bill Graham and directed by Martin Scorsese, who turned it into a documentary film of the same name, released in 1978. "The Last Waltz" is one of the best, if not the best, rock films ever made, which reveals and energizes a classical band at the peak of its popularity." Chicago Tribune film critic Michael Wilmington calls it "the greatest rock concert film ever made, and arguably the best rock film in history."Terry Lawson of the Detroit Free Press comments, "This is one of the greatest films." Total Film considers it "the greatest concert film ever made." Janet Maslin of the New York Times gave it a negative assessment, saying that it "says so little about the end-of-an-era feeling it hints at... that it is impossible to perceive "The Last Waltz" otherwise than as a passing movie." However, in 2003, The New York Times included the film in its list of the "1000 Best Films of All Time," and Rolling Stone called it "The Greatest Concert Film of All Time." ...more
Lot sold: 3000 ₽
Estimate: 6000—7000 ₽
MILES DAVIS-FOUR AND MORE RECORDED LIVE IN CONCERT-1966-FIRST UK PRESS-CBS-SBPG62655 . A-3/B-1 matrices. A very rare British original of the iconic jazz album is a live album by Miles Davis. It was recorded at the Lincoln Center Philharmonic Hall on February 12, 1964 and released two years later. ...more
Lot sold: 8000 ₽
Estimate: 8000—10000 ₽
BEATLES-REVOLVER-1966-FIRST PRESS (STEREO) UK-PARLOPHONE- PCS7009 Matrix Numbers: Side 1: YEX 605-1; Side 2: YEX 606-1. 2OH/3AO stamps (Early!) . The first printing took place on August 5, 1966. Black label with yellow logo and silver lettering. “The Gramophone Co. Ltd.” printed at the beginning of the perimeter and contains the text “Sold in the UK on condition ...”. The usual white or white and black inner sleeves with the inscription “LP Advertisement". The label shows the KT tax code or without it. Matrix numbers: Side 1: XEX 605-1 Side 2: XEX 606-1. This is how labels first appeared on the shelves. The labels use the Arial sans-serif font. In addition, the labels used two versions: on the second side of the track, Doctor Robert is written with a typo as “Dr. ROBERT” and without mistake. On the first press on the labels, the name of each song began with a new line, with the first line being written exclusively for “Taxman” and “Eleanor Rigby” starting from the second line down. It should also be noted that on these original labels, the title of each song was followed by the credits, followed by the author. ...more
Lot sold: 34000 ₽
Estimate: 30000—35000 ₽
LIVIN' BLUES-ROCKING AT THE TWEED MILL-1973-FIRST PRESS HOLLAND-PHILIPS-6413044. A rare German original of the cult album. .Rocking At The Tweed Mill is the fourth studio album by Dutch rock band Livin' Blues. It was released in 1973 with the support of the Philips label. In 1972, the band broke up with Eggermont and began collaborating with British producer Mike Vernon. Their first record together was "Rocking At The Tweed Mill", on which Arjen Cumming drummed. The album received high marks and hit all European charts. ...more
Lot sold: 13000 ₽
Estimate: 18000—20000 ₽
