Lot 56STREISAND, BARBRA - GUILTY-1980-FIRST PRESS JAPAN- CBS-NMINT/NMINT

WILLY TOKAREV - GOLD-1983-ORIGINAL PRESS 2015 -EU-MIRUMIR-MIR100470. A rare anniversary edition of the iconic album. "Gold" is the fourth studio album by Soviet, American and Russian author-performer Willy Tokarev, released in 1983 on the Sava Recording Corporation label in the USA. The producer is Willy Tokarev. At the age of 40, in 1974, Willy Tokarev emigrated to the United States with $100 in his pocket. He was sheltered for 2-3 weeks by the Tolstoy Foundation, headed by Alexandra Tolstaya, daughter of Leo Tolstoy. There he was a courier, a cleaner in a bakery, sorted through the Russian library of a millionaire, a newspaper deliveryman, became unemployed because he did not know English well, so he began to learn the language by reading American newspapers, graduated from a nurse's course, learned to drive a car, passed a taxi driving test and began working as a taxi driver to earn money for recording records, writing songs in his spare time, he was robbed four times (once, on Christmas Day, he was almost killed by a black man). He played at Carnegie Hall on a balalaika, which he bought at a souvenir shop on Fifth Avenue for $ 50, then played and sang in restaurants and nightclubs.  In 1979, the first record "And life is always beautiful!" was released, which was not particularly noticed. In 1981, the second album "In a noisy booth" was released, which brought Tokarev fame among Russian-speaking emigrants. In the 1980s, he worked at the Russian restaurant Sadko, and then at the restaurants Primorsky and Odessa, accompanied by Irina Ola. He was called the "honorary Jew of Brighton." Willy founded his own label, One Man Band, and recorded about twenty albums there.In 1989, Willy Tokarev flew to the USSR with concerts. A major role in organizing these tours was played by the famous entrepreneur Viktor Shulman, who himself also performed "Odessa songs" from the repertoire of Leningrad "tape recorder" bards, Boris Sichkin and other veterans of the genre. 70 concerts throughout the Soviet Union were a success. ...more

EARL HINES -ONCE UPON A TIME-1966-FIRST PRESS (STEREO) USA-IMPULSE-AS9108 . A very rare American original of a cult jazz album. One of the most influential jazz pianists. He made an invaluable contribution to the development of jazz and the jazz piano technique in particular. Once Upon a Time is a studio album by American jazz pianist Earl Hines, recorded on January 10-11, 1966 and released on Impulse! in the same year. Hines is accompanied by members of the Duke Ellington Orchestra.   ...more

WINGS-VENUS AND MARS-1975-THE FIRST JAPAN-CAPITOL-EPS-80236 PRESS. A rare Japanese original of a cult album.  Venus and Mars is the fourth studio album by Wings, released in 1975. The CD was released after the extraordinary success of Band on the Run and also became very popular. Paul McCartney's first album with Capitol Records. After the release of Band on the Run, Jimmy McCulloch (lead guitarist) and Jeff Britton (drummer) also joined the Wings in 1974. After McCartney wrote several new songs for the upcoming album, the band flew to New Orleans in January 1975, where they were scheduled to record Venus and Mars.Britton, having quarreled with McCulloch, left the band, having managed to participate in the recording of only three songs of the album. He was urgently replaced by American Joe English, with whom the recording was continued. McCartney made the songs in Venus and Mars blend seamlessly into each other, and the album in this sense became similar to The Beatles' Abbey Road album. The album was received very warmly, and it hits the Top 10 charts in all countries of the continent. According to the results, the album of the year is also ranked high, in Britain 5th place, in the USA - 1st place according to the Billboard 200. ...more

JUDAS PRIEST-SCREAMING FOR VENGEANCE-1982-THE FIRST EU PRESS- HOLLAND-CBS-85941. A rare European original by a cult hard band. Screaming for Vengeance is the eighth studio album by English heavy metal band Judas Priest, released on July 1, 1982 on Columbia Records. It is considered the band's commercial breakthrough in North America and has been certified double platinum in the United States and platinum in Canada. Screaming for Vengeance spawned the hit You've Got Another Thing Comin', which became one of the band's hallmarks and a regular hit on the radio. ...more

THE BAND - LAST WALTZ (3LP'S) -1978-FIRST UK PRESS- WARNER-K66076 Rare British original of the iconic concert. "The Last Waltz" is a concert by the Canadian-American rock band The Band, held on American Thanksgiving Day, November 25, 1976, at the Winterland Ballroom in San Francisco. The Last Waltz was advertised as the band's "farewell concert",[2] and the band was joined at the concert by over a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan, as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Emmylou Harris, Dr. John, Joni Mitchell, Van Morrison, The Staple Singers, Ringo Starr, Muddy Waters, Ronnie Wood and Neil Young. The musical director of the concert was the original producer of the band John Simon. The concert was produced and hosted by Bill Graham and directed by Martin Scorsese, who turned it into a documentary film of the same name, released in 1978. "The Last Waltz" is one of the best, if not the best, rock films ever made, which reveals and energizes a classical band at the peak of its popularity." Chicago Tribune film critic Michael Wilmington calls it "the greatest rock concert film ever made, and arguably the best rock film in history."Terry Lawson of the Detroit Free Press comments, "This is one of the greatest films."  Total Film considers it "the greatest concert film ever made." Janet Maslin of the New York Times gave it a negative assessment, saying that it "says so little about the end-of-an-era feeling it hints at... that it is impossible to perceive "The Last Waltz" otherwise than as a passing movie." However, in 2003, The New York Times included the film in its list of the "1000 Best Films of All Time," and Rolling Stone called it "The Greatest Concert Film of All Time." ...more