Lot 47SLADE-PLAY IT LOUD-1970-SECOND PRESS UK-polydor-nmint/nmint

JUDAS PRIEST-PAINKILLER-1990-THE FIRST PRESS UK/EU- HOLLAND-CBS-467290-1. A rare European original by a cult hard band. Painkiller is the twelfth studio album by English heavy metal band Judas Priest, released on September 17, 1990 and September 18 in the United States. It was the last Judas Priest album to feature longtime vocalist Rob Halford before his return in 2005 to record Angel of Retribution, and the first album to feature drummer Scott Travis. In January 1991, the album was certified gold by the RIAA. The album was nominated for a Grammy Award in the Best Metal Performance category at the 33rd Annual Grammy Awards, losing to Metallica's cover of Queen's song "Stone Cold Crazy". ...more

CAN- TAGO MAGO (2LP'S)-1971-FIRST UK PRESS-UNITED ARTISTS-UAD60009/10.Matrices A-1/B-1/C-1/D-1 is a very rare British original of the cult album.  Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on the United Artists Records label. It was the band's first full-length studio album featuring vocalist Damo Suzuki after Malcolm Mooney's departure a year earlier, although Suzuki participated in recording most of the tracks on the 1970 compilation album Soundtracks. It was recorded at Can Studio [de] in Schloss Nörvenich, a medieval castle near Cologne. Tago Mago includes long experimental tracks that combine rock and jazz improvisation, funk rhythms and specific music using editing techniques.  The album was named Kahn's best and most extreme album in terms of sound and structure.  The album received widespread critical acclaim and influenced many artists. Ned Raggett of AllMusic called it "not just one of the best krautrock albums of all time, but also one of the best albums of all time, without exception." ...more

FRUUPP FUTURE LEGENDS-1973-FIRST PRESS UK-DAWN-DNLS3053. Matrix A-2VG/B-1. A rare first album by the iconic British prog band. Future Legends is the debut studio album by the Northern Irish progressive rock band Fruupp. Recorded in July 1973 and produced by Denis Taylor, it was released on October 5 in the UK on Dawn Records, a subsidiary of Pye Records for underground and progressive rock music. To promote the album, the band embarked on a two-month tour, which ended on November 29 with a concert at Whitla Hall in Belfast, where they played with the Ulster Youth Orchestra. ...more

JUICY LUCY-LIE BACK AND ENJOY IT-1970-THE FIRST UK PRESS-VERTIGO-6360014. A very rare British original of a cult album by a blues progressive British band. Lie Back and Enjoy It is the second album by the British-American blues rock band Juicy Lucy, released in 1970. Although several band members have been replaced since the release of their first album, most notably singer Ray Owen and lead guitarist Neil Hubbard, the album is considered a very strong follow-up to the first album.. Most of the songs were written by the band, although the album features added Willie Dixon songs "Built for Comfort" and cover versions of Frank Zappa's "Willie the Pimp". The album peaked at number 53 on the UK Albums Chart in November 1970. ...more

URIAH HEEP-RETURN TO FANTASY-1975-CONTRACT PRESS UK-BRONZE-ILPS9335. Matrices A-1/B-1. A rare original of the CBS contract press. Return to Fantasy is the eighth studio album by the British rock band Uriah Heep, released on May 13, 1975 by Bronze in the UK and Warner Bros. Records in the USA. The album is known for the title song "Return to Fantasy". On the eve of the recording, there was another change of composition. Bassist Gary Thane left by mutual consent, because due to drug addiction he was physically unable to cope with a tight schedule of touring and recording. Later, on December 8, 1975, Gary Thane died at the age of 27 from an overdose. He was replaced from Roxy Music by bass guitarist John Wetton, who had previously played in the bands Family and King Crimson. Return to Fantasy is the only album of the band that hit the top ten in the UK charts, rose to 7th place. At the same time , the album received devastating criticism in the British press ...more